This volume explores the ways in which drawings were employed and appreciated in various European cities from late medieval times, through to the Renaissance and Reformation periods and into the early 17th century. The essays examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider roles played by various drawing types such as studies from different kinds of model and student copies from a master's examplar. They also investigate how drawings and their mechanically reproduced equivalents - engravings, etchings, etc - came to be collected for both practical and connoisseurial purposes, and how iconographic and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawings and printmaking.
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Seller: Optimon Books, Gravesend, KENT, United Kingdom
Paperback. Condition: Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. ?Work hard and don?t on any account neglect your drawing? Michelangelo?s recommendation to his assistant Pietro Urbano articulates the immense importance placed on drawing by artists of his period. In this volume twelve scholars explore ways in which drawings were employed and appreciated in various European cities from late medieval times, through the Renaissance and Reformation periods and into the early 17th century. - - The essayists examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider the roles played by various drawing types such as studies from different kinds of model and student copies from a master?s examplar. They also investigate how drawings and their mechanically reproduced equivalents - engravings, etchings and other forms of print - came to be collected for both practical and connoisseurial purposes, and how iconographic and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawing and printmaking. - - Through diverse approaches to the study of artists? attitudes and ambitions, the essays in Drawing 1400?1600 offer ways of appreciating the complex and fascinating history of the practice and theory of drawing over two centuries during which the expressive potential of the medium was realised in some of the greatest artistic statements of all time. Seller Inventory # 421838
Quantity: 1 available
Seller: MW Books, New York, NY, U.S.A.
First Edition. Fine cloth copy in a near fine, somewhat edge-bumped and dust-dulled dust wrapper. Remains well-preserved overall. Physical description; xxii, 237 pages : illustrations ; 25 cm. Notes; Essays based on papers presented at a conference of the Association of Art Historians in 1994 at the University of Birmingham. Contents; Drawing and design in late fourteenth-century France: the case for the sculptor / Julia Watson -- Imitation, invention or good business sense?: the use of drawings in a group of fifteenth-century French Books of Hours / Susie Nash -- Training and practice in the early Renaissance workshop: observations on Benozzo Gozzoli's Rotterdam sketchbook / Francis Ames-Lewis -- Maso Finiguerra and early Florentine printmaking / Lucy Whitaker -- Mantegna and Pollaiuolo: artistic personality and the marketing of invention / Alison Wright -- Luca Signorelli's studies of the human figure / Claire Van Cleave -- The 'Deutsch' and the 'Welsch': Jörg Breu the Elder's sketch for the Story of Lucretia and the uses of classicism in sixteenth-century Germany / Andrew Morrall -- Vasari, prints and imitation / Sharon Gregory -- Invenzione, disegno e fatica: two drawings by Giovambattista Naldini for an altarpiece in post-Tridentine Florence / Stuart Currie -- Drawings for Bartolomeo Passarotti's Book of anatomy / Monique Kornell -- Antonio Tempesta as printmaker: invention, drawing and technique / Michael Bury -- Early modern collecting in Northern Europe: copied drawings and printed prototypes / Tarnya Cooper. Subjects; Drawing, Gothic. Drawing, Renaissance. Drawing, Baroque. Drawing. 15th century. Drawing. 16th century. 3 Kg. Seller Inventory # 464522
Seller: MW Books Ltd., Galway, Ireland
First Edition. Fine cloth copy in a near fine, somewhat edge-bumped and dust-dulled dust wrapper. Remains well-preserved overall. Physical description; xxii, 237 pages : illustrations ; 25 cm. Notes; Essays based on papers presented at a conference of the Association of Art Historians in 1994 at the University of Birmingham. Contents; Drawing and design in late fourteenth-century France: the case for the sculptor / Julia Watson -- Imitation, invention or good business sense?: the use of drawings in a group of fifteenth-century French Books of Hours / Susie Nash -- Training and practice in the early Renaissance workshop: observations on Benozzo Gozzoli's Rotterdam sketchbook / Francis Ames-Lewis -- Maso Finiguerra and early Florentine printmaking / Lucy Whitaker -- Mantegna and Pollaiuolo: artistic personality and the marketing of invention / Alison Wright -- Luca Signorelli's studies of the human figure / Claire Van Cleave -- The 'Deutsch' and the 'Welsch': Jörg Breu the Elder's sketch for the Story of Lucretia and the uses of classicism in sixteenth-century Germany / Andrew Morrall -- Vasari, prints and imitation / Sharon Gregory -- Invenzione, disegno e fatica: two drawings by Giovambattista Naldini for an altarpiece in post-Tridentine Florence / Stuart Currie -- Drawings for Bartolomeo Passarotti's Book of anatomy / Monique Kornell -- Antonio Tempesta as printmaker: invention, drawing and technique / Michael Bury -- Early modern collecting in Northern Europe: copied drawings and printed prototypes / Tarnya Cooper. Subjects; Drawing, Gothic. Drawing, Renaissance. Drawing, Baroque. Drawing. 15th century. Drawing. 16th century. 1 Kg. Seller Inventory # 464522
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers. Seller Inventory # rev2196106060
Quantity: 1 available
Seller: Hugh Hardinge Books, Cambridge, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Brown boards and spine, the latter lettered in gilt. Jacket faded around spine and margins. Internally clean. Seller Inventory # X3323
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Tan cloth boards with gilt spine lettering; tan dj with bw illustration on front cover, mylar cover; xxii, 237 pp; bw illustrations. Essays based on papers presented at a conference of the Association of Art Historians in 1994 at the University of Birmingham. Contents: Drawing and design in late fourteenth-century France: the case for the sculptor / Julia Watson -- Imitation, invention or good business sense?: the use of drawings in a group of fifteenth-century French Books of Hours / Susie Nash -- Training and practice in the early Renaissance workshop: observations on Benozzo Gozzoli's Rotterdam sketchbook / Francis Ames-Lewis -- Maso Finiguerra and early Florentine printmaking / Lucy Whitaker -- Mantegna and Pollaiuolo: artistic personality and the marketing of invention / Alison Wright -- Luca Signorelli's studies of the human figure / Claire Van Cleave --The 'Deutsch' and the 'Welsch': Jörg Breu the Elder's sketch for the Story of Lucretia and the uses of classicism in sixteenth-century Germany / Andrew Morrall -- Vasari, prints and imitation / Sharon Gregory -- Invenzione, disegno e fatica: two drawings by Giovambattista Naldini for an altarpiece in post-Tridentine Florence / Stuart Currie -- Drawings for Bartolomeo Passarotti's Book of anatomy / Monique Kornell -- Antonio Tempesta as printmaker: invention, drawing and technique / Michael Bury -- Early modern collecting in Northern Europe: copied drawings and printed prototypes / Tarnya Cooper. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block.). Seller Inventory # 185828
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9781859283646. Seller Inventory # 9291898
Quantity: 1 available
Seller: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., Japan
Hardcover. Condition: Very Good. xxii, 237p. 1vol. Seller Inventory # 16868
Seller: Mooney's bookstore, Den Helder, Netherlands
Condition: Very good. Seller Inventory # E-9781859283646-2-2
Quantity: 1 available
Seller: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condition: New. Seller Inventory # 101731