The arrival of the moving image in contemporary art has provoked a great deal of discussion amongst critics, artists and curators, and presents a serious challenge to our understanding of the traditional media and institutions of film, painting and sculpture. "The Reader" aims to address these issues and generate further art historical study. "Art and the Moving Image" presents an array of critical, theoretical, and historical responses that pertain to this paradigm shift: its cause, its motivation, and its aesthetic, social, and political significance. This stimulating collection brings together the most significant writings from leading art historians, curators, artists, theorists, and philosophers, and it includes seminal historical articles, as well as recent criticism, including newly translated and commissioned essays.
"synopsis" may belong to another edition of this title.
Tanya Leighton is a freelance curator and editor, with Pavel Buchler of Saving the Image (2004) Charles Esche is Director of the Van Abbemuseum, Eindhoven and the co-curator of the Istanbul Biennale 2005. Mark Lewis is an artist and filmaker, and the Principal Lecturer in Research at Central St Martins School of Art.
"About this title" may belong to another edition of this title.
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