This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke.
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"Original and enlightening" -- The Daily Telegraph
"Perfectly explains the state of painting, art theory and art criticism in Paris and London" -- The Evening Standard
Full of interesting ideas and observations... a broader vision of Anglo-French artistic chemistry in this period... splendidly illustrated" -- The Art Book
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Paperback. Condition: Very Good. Constable to Delacroix: British Art and the French Romantics 1820-1840 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Seller Inventory # 7719-9781854374592
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Paperback. Condition: Good. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR006075106
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Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP63573084
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Seller: Don's Book Store, Albuquerque, NM, U.S.A.
Trade Paperback. Condition: Very Good. First Edition. 290 Pages Indexed. Nice condition with a nearly flawless interior text and illustration pages. The Exhibition began at Tate Britain, London and ran 5 February - May 2003. Then touring to The Minneapolis Institute of Arts, Minneaolis 8 June - 7 September 2003. The exhibition was at The Metropolitan Museum of Art, New York 7 October 2003 to 4 January 2004. This exhibition explores the extraordinary network of cultural interchange that developed between Britain and France in the three or so decades following the end, in 1815, of their long war - a conflict which had raged with only occasional respites since the early 1790s. Sustained hostility in politics was to give way to mutual admiration in the arts. Focusing primarily on painting, the exhibition traces both the impact of French Romanticism on British art, including through the sensational display in London of Theodore Cericault's Raft of the Medusa in 1820. (See Cover). Perhaps the range and force of Britain's cultural impact on France in these years will come as some surprise. Though Lord Byron's literary influence on Eugene Delacroix is well known, the prodigious consumption of Walter Scott in France may be less understood; and while John Constable's success at the Paris Salon exhibition of 1824, and his admiration by Delacroix, forms part of our standard histories of British art. The web of connections and its expression through French landscape painting through the 1830s and beyond, may prove to be one of this exhibition's most significant revelations. Though there had certainly been moments of productive cross-channel interchange in the previous century, they were readily undermined by political tensions and usually short-lived. The kind of sustained cultural dialogue surveyed by this exhibition was unprecedented and would furnish a model for subsequent generations. Seller Inventory # 21525
Seller: Bahamut Media, Reading, United Kingdom
Paperback. Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Seller Inventory # 6545-9781854374592
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