An elderly writer of popular comedies and her liberal husband, a judge, are accosted in mid-swim by three crass young archivists. In distracting their inquisitors, the couple show the greatest mannerliness while treading water.
A famous cellist develops an unruly attachment to his bed. His accompanist suggests an analyst, but takes the sessions himself, lending a fond angle to transference.
A quiet, wise man watches his blustering City stepson take over his house and his being and has not the heart to see his usurping heir's action as the pattern of push and shove.
With assusrance, acuity and her lucid wit, Penelope Gilliatt lays bare the non-utterances that are the crucial ellipses of the human temperament. Candid, resonant and always compassionate, these are unforgettable tales form a genius of the short story.
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Born in 1932, Penelope Gilliatt was an English novelist, short story writer, screenwriter, and film critic. She is perhaps best known for writing the screenplay for Sunday, Bloody Sunday (1971) and she wrote several novels, including One by One (1965) and A State of Change (1967). As a film critic, Gilliatt wrote numerous reviews for The Observer before she began a column that ran for years in The New Yorker, in which she alternated for six month intervals with Pauline Kael as chief film reviewer. She was married to playwright John Osborne from 1963-1968, giving him his only natural child a daughter, Nolan. She died on 9 May 1993.
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