With an Introduction and Notes by Michael Irwin, University of Kent at Canterbury.
Housman's melodic and memorable poems have been popular for over a century. He writes typically of lost love, of the brevity of happiness, of young soldiers doomed to die. Admirers have found his work elegant and resonant; detractors have thought much of it mannered and glib. But Housman speaks with two voices: the smooth texts conceal a dark sub-text. This tormented and secretive man wrote poems alive with indirect self-disclosure.
"synopsis" may belong to another edition of this title.
Michael Irwin is an emeritus professor of English at the University of Kent in Canterbury, where he specialized in eighteenth- and nineteenth-century literature. His published work includes a full-length study of Fielding and essays on Defoe, Richardson, Sterne, Smollett, Johnson, and Pope. He lives in Kent, England.
Michael Irwin is an emeritus professor of English at the University of Kent in Canterbury, where he specialized in eighteenth- and nineteenth-century literature. His published work includes a full-length study of Fielding and essays on Defoe, Richardson, Sterne, Smollett, Johnson, and Pope. He lives in Kent, England.
Housman's melodic and memorable poems have been popular for over a century. He writes typically of lost love, of the brevity of happiness, of young soldiers doomed to die. Housman speaks with two voices: the smooth texts conceal a dark sub-text. This tormented and secretive man wrote poems alive with indirect self-disclosure.
"About this title" may belong to another edition of this title.
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