Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex.
In the hope of saving her brother's life, should a woman submit to rape? Should the law be respected when its administrator is corrupt? How powerful in the state should religion become? Although Measure for Measure ends like a comedy, with reconciliations, forgiveness and marriages, it has often been regarded as one of Shakespeare's problem plays. The drama shows the difficulty of effecting an appropriate balance between judicial severity and mercy, between sexual repression and decadence, and between political vigilance and social manipulation. These problems remain topical, and, in Measure for Measure, they are given immediacy by vivid character-conflicts and memorably intense poetry. This is one of Shakespeare's most probing and powerful works.
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A dark and difficult play, Measure for Measure has been a popular play since the latter half of the 20th century for its prescient dramatisation of the issues of sexual and political hypocrisy, and the ways in which the state interferes in the private lives of its citizens. Set in Duke Vincentio's Vienna, where poverty, disease and prostitution are rife, Claudio and his fiancée Juliet are arrested for having sex before marriage, and Claudio is sentenced to death. Angelo, the Duke's deputy, who stands in for the Duke whilst he ostensibly goes off on a pilgrimage, enthusiastically endorses the sentence. In fact the Duke remains behind the scenes, watching Angelo as he falls for Claudio's sister Isabella, who comes to beg for her brother's life. Angelo is a wonderful creation, loathsome yet fascinating as he struggles with the double standards of his enforcement of draconian laws whilst lusting after the sister of the man he is prepared to execute, debating "The tempter or the tempted, who sins most?".
No one is spared Shakespeare's withering look at the mores of early 17th-century life, not even the pimps and madams who try to get by in the midst of the Duke's bizarre and coercive disguises and performances. The deeply ambiguous ending of Measure for Measure confirms it as one of Shakespeare's most ambivalent and arguably despairing plays. --Jerry Brotton
"Professor Bawcutt has produced an edition that should flourish in the classroom. The introduction is both thorough and user-friendly, while the notes consistently promote clear explication. Overall the edition is crisp, efficient, and illuminating."--Ronald J. Boling, Lyon College "Professor Bawcutt has produced an edition that should flourish in the classroom. The introduction is both thorough and user-friendly, while the notes consistently promote clear explication. Overall the edition is crisp, efficient, and illuminating."--Ronald J. Boling, Lyon College "Professor Bawcutt has produced an edition that should flourish in the classroom. The introduction is both thorough and user-friendly, while the notes consistently promote clear explication. Overall the edition is crisp, efficient, and illuminating."--Ronald J. Boling, Lyon College "Professor Bawcutt has produced an edition that should flourish in the classroom. The introduction is both thorough and user-friendly, while the notes consistently promote clear explication. Overall the edition is crisp, efficient, and illuminating."--Ronald J. Boling, Lyon College
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