With an Introduction and Notes by Owen Knowles, University of Hull.
Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer.
Although subtitled A Novel without a Hero, Vanity Fair follows the fortunes of two contrasting but inter-linked lives: through the retiring Amelia Sedley and the brilliant Becky Sharp, Thackeray examines the position of women in an intensely exploitative male world.
When Vanity Fair was published in 1848, Charlotte Brontë commented: ‘The more I read Thackeray’sworks the more certain I am that he stands alone – alone in his sagacity, alone in his truth, alone in his feeling… Thackeray is a Titan.’
"synopsis" may belong to another edition of this title.
William Makepeace Thackeray (1811-1863) was born and educated to be a gentleman but gambled away much of his fortune while at Cambridge. He trained as a lawyer before turning to journalism. He was a regular contributor to periodicals and magazines and Vanity Fair was serialised in Punch in 1847-1848.
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