The remarkable naturalism of John Constable's paintings has always been acknowledged, and his 'vivid and timeless' (as he called them) oil sketches have been celebrated since the 1890s as precursors of Impressionism, modernism and photographic composition. He remains a powerful influence on contemporary artists, and was famously Lucian Freud's favourite painter. He was also hailed in 1866 as the first painter whose 'art is purely and thoroughly English', and his studio oil paintings have helped to define our idea of the English countryside. Published to accompany a major V&A exhibition, this book evaluates these aspects of Constable's work, placing the artist's naturalism and studio work in the context of his wider practice - in particular his talent for copying, and extensive print collection. A companion volume to John Constable: Oil Sketches from the Victoria and Albert Museum (page6, V&A, 2011), this book shows how the artist's reverence for the Old Masters is not incompatible with his revolutionary handling of paint: where others competed with the Masters, Constable assimilated their ideas and values to imbue his own naturalistic vision with dynamism.
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Mark Evans is Senior Curator of Paintings at the V&A. He has written extensively on painting from the Renaissance to the early twentieth century and is the author of numerous books including: The Painted World: From Illumination to Abstraction (V&A, 2005), Raphael: Cartoons and Paintings for the Sistine Chapel (V&A, 2010) and John Constable: Oil Sketches from the V&A (V&A, 2011).
Criticized in his lifetime for his rough handling of paint, John Constable's (1776-1837) paintings have long defined the idea of the English countryside, its geography fully captured by his remarkable naturalism. His "vivid and timeless" oil sketches, as he called them, have been celebrated since the 1890s as precursors of Impressionism, Modernism, and photography. This major book reconciles the two defining aspects of Constable's work-his revolutionary painting techniques and his reverence for the old masters. Where other artists competed with the masters, Constable assimilated their ideas and values to imbue his own naturalistic vision with dynamism. This seeming incompatibility, placed in the context of the artist's wider practice, helps delineate why Constable remains such a powerful influence on contemporary artists.
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Seller: Blackandwhiteandread ltd, PILTON, SOMER, United Kingdom
Hardcover. Condition: Fine. 1st Edition. Near fine first edition of the celebrated companion publication to the V&A's 'Making of a Master' exhibition. Swift dispatch in UK. Seller Inventory # 1325
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Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Seller Inventory # M01851778004-G
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Hardcover. Condition: Very Good. 1st Edition. Book and dust jacket are in very good condition. 223pp with colour and b/w illustrations. Seller Inventory # 042270
Seller: David Ford Books PBFA, Cley-next-the-Sea, United Kingdom
Fine. Hardcover book, first edition in dustjacket. Constable's work techniques and influences a Fine copy in a Fine dustjacket. No inscriptions , pictures available. Seller Inventory # 39510
Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. V & A Publishing, 2014. Hardcover. Book and dust jacket are in near fine condition, lovely book. 223pp with colour illustrations. Seller Inventory # 000523
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Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 1st Edition. 224 pages. Hardcover. Texts in English. Minimal shelfwear rubbing to the dustjacket. Otherwise, the binding is tight, the edges and corners of the boards are sharp, the interior clean and free of markings. Bound in paper covered boards and wrapped in an illustrated paper dustjacket, published on the occasion of the exhibition held from September 20, 2014-January 11, 2015. Brilliantly illustrated. Mostly in color. Book. Seller Inventory # 030312
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 1st printing with full number line. Firmly bound and very carefully read. Both book & unclipped jacket are in excellent clean condition. No inscription or ownership markings. No tears or loss. Illustrated in colour & b/w. Seller Inventory # 033489