The Apostle Paul expected the vast majority of the recipients of his letters to hear, not read, them. He structured his compositions for the ear rather than the eye. Pauline audiences would hear clues to meaning and structure because they had learned to communicate in a world where those clues were essential to understanding. Recognizable structures and patterns were essential for listeners to organize what they heard, to follow, to predict and to remember the flow of communication. Oral Biblical Criticism examines Paul’s Epistle to the Philippians in light of recent study of oral principles of composition and interpretation.
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Casey W. Davis is Chaplain and Assistant Professor of Religion, Roberts Wesleyan College in Rochester, New York.
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Seller: *bibliosophy*, Exeter, United Kingdom
Hardcover. Condition: As New. 1999, hardback in blue board covers with silver lettering, 199 pages; no dust jacket (believed as published) | this copy is unread and barely distinguishable from new | carefully packaged and dispatched form UK within two working days. Seller Inventory # crit2209
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Seller: MW Books, New York, NY, U.S.A.
First Edition. Near fine copy in the original title-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 199 p. Notes; Includes bibliographical references and indexes. Contents; Cover; Editorial Board; Title; Copyright; CONTENTS; ACKNOWLEDGMENTS; ABBREVIATIONS; Chapter 1 THE PRINCIPLES OF ORALITY; Chapter 2 ANALYSIS OF THE AUTHOR'S RHETORICAL STYLE; Chapter 3 IDENTIFICATION AND ANALYSIS OF UNITS; Chapter 4 ANALYSIS OF PROGRESSION FROM UNIT TO UNIT; Appendix A SYNONYMY IN PHILIPPIANS; Appendix B CONCENTRIC AND PARALLEL STRUCTURE IN PHILIPPIANS; BIBLIOGRAPHY; INDEXES INDEX OF REFERENCES; INDEX OF AUTHORS. Subjects; Bible Philippians Language, style. Bible Philippians. Bible Philippians Criticism, interpretation, etc. 3 Kg. Seller Inventory # 445584
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Seller: MW Books Ltd., Galway, Ireland
First Edition. Near fine copy in the original title-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 199 p. Notes; Includes bibliographical references and indexes. Contents; Cover; Editorial Board; Title; Copyright; CONTENTS; ACKNOWLEDGMENTS; ABBREVIATIONS; Chapter 1 THE PRINCIPLES OF ORALITY; Chapter 2 ANALYSIS OF THE AUTHOR'S RHETORICAL STYLE; Chapter 3 IDENTIFICATION AND ANALYSIS OF UNITS; Chapter 4 ANALYSIS OF PROGRESSION FROM UNIT TO UNIT; Appendix A SYNONYMY IN PHILIPPIANS; Appendix B CONCENTRIC AND PARALLEL STRUCTURE IN PHILIPPIANS; BIBLIOGRAPHY; INDEXES INDEX OF REFERENCES; INDEX OF AUTHORS. Subjects; Bible Philippians Language, style. Bible Philippians. Bible Philippians Criticism, interpretation, etc. 1 Kg. Seller Inventory # 445584
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Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. The Apostle Paul expected the vast majority of the recipients of his letters to hear, not read, them. He structured his compositions for the ear rather than the eye. Pauline audiences would hear clues to meaning and structure because they had learned to communicate in a world where those clues were essential to understanding. Recognizable structures and patterns were essential for listeners to organize what they heard, to follow, to predict and to remember the flow of communication. Oral Biblical Criticism examines Paul's Epistle to the Philippians in light of recent study of oral principles of composition and interpretation. The Apostle Paul expected the vast majority of the recipients of his letters to hear, not read, them. He structured his compositions for the ear rather than the eye. Pauline audiences would hear clues to meaning and structure because they had learned to communicate in a world where those clues were essential to understanding. Recognizable structures and patterns were essential for listeners to organize what they heard, to follow, to predict and to remember the flow of communication. Oral Biblical Criticism examines Paul's Epistle to the Philippians in light of recent study of oral principles of composition and interpretation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781850759720
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. The Apostle Paul expected the vast majority of the recipients of his letters to hear, not read, them. He structured his compositions for the ear rather than the eye. Pauline audiences would hear clues to meaning and structure because they had learned to communicate in a world where those clues were essential to understanding. Recognizable structures and patterns were essential for listeners to organize what they heard, to follow, to predict and to remember the flow of communication. Oral Biblical Criticism examines Paul's Epistle to the Philippians in light of recent study of oral principles of composition and interpretation. The Apostle Paul expected the vast majority of the recipients of his letters to hear, not read, them. He structured his compositions for the ear rather than the eye. Pauline audiences would hear clues to meaning and structure because they had learned to communicate in a world where those clues were essential to understanding. Recognizable structures and patterns were essential for listeners to organize what they heard, to follow, to predict and to remember the flow of communication. Oral Biblical Criticism examines Paul's Epistle to the Philippians in light of recent study of oral principles of composition and interpretation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781850759720