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Synopsis
A new exploration of Rodin which celebrates him as the father of modern sculpture
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About the Author
Nabila Abdel Nabi is Senior Curator, International Art at Tate Modern. Chloé Ariot is Curator, Musée Rodin. Achim Borchardt-Hume was Director of Exhibitions and Programmes at Tate Modern.
From the Back Cover
Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to multiplication, assemblage, industrial production and serial repetition challenged classical sculptural traditions and provided a definitive break in the history of art. Although he was best known for his bronze and marble sculptures, Rodin's genius was as a modeller, who captured movement, emotion, light and volume in pliable materials such as clay and plaster. A stockpile of plaster body parts allowed him to experiment and explore infinite groupings and poses. Unlike his predecessors, his finished works include traces of their creation, challenging conventional conceptions of beauty.
In line with new thinking around Rodin, this beautifully illustrated book focuses specifically on the artist's use of plaster, a material which was crucial to his process, but also demonstrates his interest in creating sculptures that are never finished, always becoming. United by their whiteness, an array of fragile, experimental and unique pieces will be explored alongside alternative aspects of some of Rodin's signature works, and a selection of the artist's drawings and watercolours - the fluidity and definitive form of which bear relation to the liquid surface of his sculptures. Including an exclusive contribution from sculptor Phyllida Barlow, newly commissioned texts will shed light on Rodin's way of working, the importance of modelling, and the role of photography in his work. For the first time, Rodin is truly presented as the father of modern sculpture, with an influence that is indisputable and ongoing.
EXHIBITION
Tate Modern, London
21 October 2020 – 21 February 2021
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Hardback. Condition: New. Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to sculpture-making provided a definitive break in the history of Western sculpture. Although much of his commercial success was based on the bronze and marble versions of his work, Rodin's greatest talent was as a modeller who captured movement, emotion, light and volume in clay and plaster, to challenge traditional conceptions of beauty and perfection. In line with new thinking on Rodin, this book explores the artist's use of plaster, a material which demonstrates his interest in creating sculptures that are never completed, always becoming. United by their materiality, fragile and experimental pieces are explored alongside new readings of some of Rodin's iconic works, and a selection of his watercolour drawings. Including an exclusive contribution from sculptor Phyllida Barlow, The Making of Rodin sheds light on the artist's use of materials, his unique way of working, and his imaginative use of photography, revealing how Rodin reinvented sculpture for the modern age - and why his work continues to enthral and provoke to this day. Seller Inventory # LU-9781849766753