One March morning, out of the blue, Max Stafford-Clark learned that the Arts Council had drastically cut their grant to his theatre company, Out of Joint, leaving it in danger of imminent collapse. Journal of the Plague Year is his account of what happened next, as he sets out to contest the cut, make the case for public funding of the arts, and continue producing the work for which he and his company are renowned.
Max's journal often takes on an autobiographical flavour, including the unexpectedly moving story of his two fathers, his surreal encounter with the New York theatre world, and the shocking details of what it is to suffer a massively debilitating stroke.
By turns funny, alarming and deeply personal, Journal of the Plague Year offers a fascinating exposé of the often Kafkaesque workings of arts subsidy in England, and the financial and artistic manoeuvrings which are a fact of life for every arts organisation today. It is essential reading for anyone with an interest in the state of our arts, from students to theatregoers, and from struggling arts workers right up to the Secretary of State for Culture.
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Max Stafford-Clark's career as a director began in 1966 at the Traverse, Edinburgh. With William Gaskill he co-founded, in 1974, the Joint Stock Theatre Group, which forged a new creative bond between actors and writers. From 1979-1993 he was artistic director of the Royal Court Theatre, where his many successes included directing the world premieres of Timberlake Wertenbaker's Our Country's Good, Mark Ravenhill's Shopping and f****ing and Caryl Churchill's Blue Heart. In 1993 he set up the extremely successful touring company, Out of Joint.
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Paperback. Condition: New. A truthful, personal and insightful exploration of the state of arts funding and carrying on in the face of adversity, by the renowned founder of Out of Joint.One March morning, out of the blue, Max Stafford-Clark learned that the Arts Council had drastically cut their grant to his theatre company, Out of Joint, leaving it in danger of imminent collapse. Journal of the Plague Year is his account of what happened next, as he sets out to contest the cut, make the case for public funding of the arts, and continue producing the work for which he and his company are renowned.Max's journal often takes on an autobiographical flavour, including the unexpectedly moving story of his two fathers, his surreal encounter with the New York theatre world, and the shocking details of what it is to suffer a massively debilitating stroke.By turns funny, alarming and deeply personal, Journal of the Plague Year offers a fascinating exposé of the often Kafkaesque workings of arts subsidy in England, and the financial and artistic manoeuvrings which are a fact of life for every arts organisation today. It is essential reading for anyone with an interest in the state of our arts, from students to theatregoers, and from struggling arts workers right up to the Secretary of State for Culture. Seller Inventory # LU-9781848421790
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