As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing,' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail. And yet, the Pre-Raphaelites' debt to photography has barely been acknowledged. From photography, painters learned to see anew: adapting such radical qualities as abrupt cropping, planar recession, and a lack of modulation between forms, painters made their art modern, sometimes shockingly so. Photographers in turn looked to Pre-Raphaelite visual strategies and subject matter - mined from literature, history, religion - to secure,' as Julia Margaret Cameron wrote, 'the character and uses of High Art.' These artists developed a shared vocabulary - featuring light and minute detail as an emblem of visual truth - which helped launch realism as the century's dominant visual mode. 'Exactness,' a critic affirmed in 1856, 'is the tendency of the age.' This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures.
"synopsis" may belong to another edition of this title.
Diane Waggoner is Associate Curator in the Department of Photographs at the National Gallery of Art. Tim Barringer is the Paul Mellon Professor of the History of Art at Yale University. Joanne Lukitsh is Professor of Art History at the Massachusetts College of Art and Design. Jennifer L. Roberts is the Gardner Cowles Associate Professor of History of Art and Architecture at Harvard University. Britt Salvesen is Department Head and Curator of the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art.
"About this title" may belong to another edition of this title.
Seller: Greenworld Books, Arlington, TX, U.S.A.
Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. Seller Inventory # GWV.1848220677.VG
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Hardcover. First Edition, First Printing. Quarto, 230 pages. In Very Good condition with Very Good condition dust jacket. Spine is black with white and beige lettering. Dust jacket protected by mylar covering, has mild shelving wear along spine head and tail and mild creasing to tail fore corners. Boards fully bound in publisher's brown cloth, have mild bumping to tail fore corners. Shelved in British Art. 1406993. Shelved Dupont Bookstore. Seller Inventory # 1406993
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR007156795
Quantity: 1 available
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
A clean, tidy copy in tight binding. Slight bumping to dust jacket edges. Used - Very Good. VG hardback in VG dust jacket Used - Very Good. VG hardback in VG dust jacket. Seller Inventory # BOOKS334235I
Quantity: 1 available
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Brown cloth boards with silver lettering on spine/ Dj with photograph. ix, 230 pages : illustrations. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011./ Includes bibliographical references (pages 217-223) and index. VG/VG (Exlibrary book. Sticker to the mylar jacket at the base of the spine. Stamp on front free end page. Stamp on back free end page. Stamp on top text block.). Seller Inventory # 188472
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9781848220676. Seller Inventory # 9484873
Quantity: 1 available
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Brown cloth boards with silver lettering on spine/ Dj with photograph. ix, 230 pages : illustrations. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011./ Includes bibliographical references (pages 217-223) and index. VG/VG (wear to cloth edges & corners; bump to upper corner & edge). Seller Inventory # 200544
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. ix, 230 pages : illustrations (some colour) ; 30 cm. Catalog of an exhibition held at the National Gallery of Art, Washington, Oct. 31, 2010-Jan. 30, 2011 and at the Musée d'Orsay, Paris, Mar. 6-May 29, 2011. Summary:"As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing, ' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail . This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures."--Publisher's description. Seller Inventory # 4MGS15
Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Hardcover. Condition: As New. Dust Jacket Condition: As New. First edition. As new in like dust jacket. Still in original shrinkwrap.; 240 pages. Seller Inventory # 99987
Seller: Lacey Books Ltd, Cirencester, United Kingdom
Hardcover. Condition: Very Good. 2010 Lund Humphries large format hardcover edition. Light reading wear else very good condition. Seller Inventory # AU-5RUL-9Z5P