The Age of Innocence, Edith Wharton's most famous novel, is a love story, written immediately after the end of the First World War. Its brilliant anatomization of the snobbery and hypocrisy of the wealthy elite of New York society in the 1870s made it an instant classic, and it won the
Pulitzer Prize in 1921. Newland Archer, Wharton's protagonist, charming, tactful, enlightened, is a thorough product of this society; he accepts its standards and abides by its rules but he also recognizes its limitations. His engagement to the impeccable May Welland assures him of a safe and
conventional future, until the arrival of May's cousin Ellen Olenska. Independent, *-thinking, scandalously separated from her husband, Ellen forces Archer to question the values and assumptions of his narrow world. As their love for each other grows, Archer has to decide where his ultimate
loyalty lies.
Stephen Orgel's introduction and notes set the novel in the context of the period and discusses Wharton's skilfull weaving of characters and plot, her anthropological exactitude, and the novel's autobiographical overtones.
The Age of Innocence, Edith Wharton's most famous novel, is a love story, written immediately after the end of the First World War. Its brilliant anatomization of the snobbery and hypocrisy of the wealthy elite of New York society in the 1870s made it an instant classic, and it won the
Pulitzer Prize in 1921. Newland Archer, Wharton's protagonist, charming, tactful, enlightened, is a thorough product of this society; he accepts its standards and abides by its rules but he also recognizes its limitations. His engagement to the impeccable May Welland assures him of a safe and
conventional future, until the arrival of May's cousin Ellen Olenska. Independent, *-thinking, scandalously separated from her husband, Ellen forces Archer to question the values and assumptions of his narrow world. As their love for each other grows, Archer has to decide where his ultimate
loyalty lies.
Stephen Orgel's introduction and notes set the novel in the context of the period and discusses Wharton's skilfull weaving of characters and plot, her anthropological exactitude, and the novel's autobiographical overtones.
"synopsis" may belong to another edition of this title.
" Is it-- in this world-- vulgar to ask for more? To entreat a little wildness, a dark place or two in the soul?" -- Katherine Mansfield
" There is no woman in American literature as fascinating as the doomed Madame Olenska. . . . Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature." -- Gore Vidal
" Will writers ever recover that peculiar blend of security and alertness which characterizes Mrs. Wharton and her tradition?" -- E. M. Forster
"Is it in this world vulgar to ask for more? To entreat a little wildness, a dark place or two in the soul?" Katherine Mansfield
"There is no woman in American literature as fascinating as the doomed Madame Olenska. . . . Traditionally, Henry James has always been placed slightly higher up the slope of Parnassus than Edith Wharton. But now that the prejudice against the female writer is on the wane, they look to be exactly what they are: giants, equals, the tutelary and benign gods of our American literature." Gore Vidal
"Will writers ever recover that peculiar blend of security and alertness which characterizes Mrs. Wharton and her tradition?" E. M. Forster"
"Is it--in this world--vulgar to ask for more? To entreat a little wildness, a dark place or two in the soul?"--Katherine Mansfield
A Norton Critical Edition. The editor, Candace Waid is an Associate Professor of English at the University of California, Santa Barbara.
"About this title" may belong to another edition of this title.
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