Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement.
The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers.
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Birgit Beumers is Professor Emerita in Film Studies at Aberystwyth University, UK, and currently holds a DFG-funded research grant on Central Asian film industries at the University of Passau, Germany. Her publications include A History of Russian Cinema (2009) and Performing Violence (with Mark Lipovetsky, 2009). She has edited a number of volumes, including The Cinema of Alexander Sokurov (2011, with Nancy Condee), and Cinema in Central Asia: Rewriting Cultural Histories (with Michael Rouland and Gulnara Abikeyeva, 2013), and Sexuality, Nudity and the Body in Soviet Cinema (with Eugénie Zvonkine and Catherine Géry, 2026). She is editor of the online journal KinoKultura and of the scholarly journal Studies in Russian and Soviet Cinema.
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Paperback. Condition: new. Paperback. Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement.The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers. Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781845119010
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Paperback. Condition: New. Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement.The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers. Seller Inventory # LU-9781845119010
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Condition: New. Cinema in Central Asia is the first comprehensive and up-to-date account of film in Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Editor(s): Rouland, Michael; Abikeyeva, Gulnara; Beumers, Birgit. Series: KINO: The Russian Cinema Series. Num Pages: 272 pages, 26 integrated b/w illustrations. BIC Classification: 1FC; APF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 24. Weight in Grams: 516. . 2013. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9781845119010
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