With an Introduction and revised translation by Adrianne Tooke.
Sentimental Education has been described both as the first modern novel and as a novel to end all novels. Weaving a poignant love story into his account of the 1848 revolution, Flaubert shows a society in the grip of stereotypes, on every level. There is something farcical in his depiction of characters who aspire to act but are dogged by cliche at every turn.
To a greater extent even than Madame Bovary, Sentimental Education is an indictment of modern consumerism, contrasting the hollowness of material achievement with the lasting beauty of the ideal. Flaubert's study of success and failure offers us a terrible sadness in a terrible beauty, yet is one of the world's great comic masterpieces.
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Gustave Flaubert was born in Rouen in 1821. Aside from his travels, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The success of Madame Bovary (1857) was ensured by government prosecution for "immorality"; Salammbô (1862) and A Sentimental Education (1869) received a cool public reception; not until the publication of Three Tales (1877) was his genius popularly acknowledged. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death in 1880.
Frederic Moreau, a moderately gifted young provincial, is ambitious in many ways: he dreams of fame, of vast wealth, of literary and artistic achievement, of a grand passion. On the Paris paddle-steamer which transports him to his home town of Nogent-sur-Seine at the outset of the novel, he becomes transfixed by the demure Madame Arnoux and, back in Paris, cultivates her ebullient and enterprising husband in order to be near her. Frederic's devotion fluctuates like his other enthusiasms, and he is caught up in the intense pleasures and the inevitable ennuis of Parisian life.
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