Arguably the greatest sculptor of all time, Donatello (c.1386-1466) was at the vanguard of a revolution in sculptural practice in the early Renaissance.
Combining ideas from classical and medieval sculpture to create innovative sculptural forms, Donatello had an unparalleled ability to portray emotions in works intended to inspire spiritual devotion. Pieces such as the penitent St Mary Magdalene and the bronze of David remain deeply affecting to audiences today. Working in marble, bronze, wood, terracotta and stucco, he contributed to major commissions of church and state; was an intimate of the Medici family and their circle in Florence, and highly sought after in other Italian cities.
This book, specially commissioned to accompany the 2023 exhibition at the V&A, explores Donatello's extraordinary creativity within the vibrant artistic and cultural context of fifteenth-century Italy, surveying his early connection with goldsmiths' work and the collaborative nature of his workshop and processes. It also reflects on Donatello's legacy, reviewing how his sculpture inspired subsequent generations in the later Renaissance and beyond.
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Peta Motture is the author and editor of numerous books including Creating Sculpture: Renaissance Drawings and Models (2022), The Culture of Bronze: Making and Meaning in Renaissance Sculpture (2019), Carvings, Casts and Collectors: The Art of Renaissance Sculpture (2013)
Arguably the greatest sculptor of all time, Donatello (c.1386-1466) was at the vanguard of a revolution in sculptural practice in the early Renaissance. Combining ideas from classical and medieval sculpture to create innovative sculptural forms, Donatello had an unparalleled ability to portray emotions in works intended to inspire spiritual devotion. Pieces such as the penitent St Mary Magdalene and the bronze of David remain deeply affecting to audiences today. Working in marble, bronze, wood, terracotta and stucco, he contributed to major commissions of church and state; was an intimate of the Medici family and their circle in Florence, and highly sought after in other Italian cities. This book explores Donatello's extraordinary creativity within the vibrant artistic and cultural context of fifteenth-century Italy, surveying his early connection with goldsmiths' work and the collaborative nature of his workshop and processes. It also reflects on Donatello's legacy, reviewing how his sculpture inspired subsequent generations in the later Renaissance and beyond.
"About this title" may belong to another edition of this title.
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Gebunden. Condition: Neu. Neu -Donatello (ca. 1386-1466), der wohl größte Bildhauer aller Zeiten, stand an der Spitze einer Revolution in der bildhauerischen Praxis der Frührenaissance. Donatello kombinierte Ideen aus der klassischen und mittelalterlichen Bildhauerei, um innovative skulpturale Formen zu schaffen, und verfügte über eine unvergleichliche Fähigkeit zur Darstellung von Emotionen in Werken, die zur spirituellen Hingabe anregen sollten. Werke wie die bußfertige Heilige Maria Magdalena und die David-Bronze sind auch heute noch für das Publikum von großer Bedeutung. Er arbeitete mit Marmor, Bronze, Holz, Terrakotta und Gips und trug zu bedeutenden kirchlichen und staatlichen Aufträgen bei. Er war ein enger Vertrauter der Familie Medici und ihres Kreises in Florenz und war auch in anderen italienischen Städten sehr gefragt. Anhand zahlreicher Essays von Kunsthistorikern untersucht die Herausgeberin Peta Motture in »Donatello. Sculpting the Renaissance« die außergewöhnliche Kreativität des Künstlers im pulsierenden künstlerischen und kulturellen Kontext des Italiens des 15. Jahrhunderts. Außerdem wird das Vermächtnis Donatellos beleuchtet und untersucht, wie seine Skulpturen die nachfolgenden Generationen in der Spätrenaissance und darüber hinaus inspirierten. (Text engl.) 288 pp. Englisch. Seller Inventory # 1626825
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