Synopsis
How technology and the attention economy shape contemporary art and performance
The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice — research-based installations, performance exhibitions, interventions, and invocations of modernist architecture — leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.
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About the Author
Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.
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Disordered Attention : How We Look at Art and Performance Today
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Paperback. Condition: new. Paperback. The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. How technology and the attention economy has impacted contemporary art Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781804296738
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Paperback. Condition: New. The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad. Seller Inventory # LU-9781804296738
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Paperback. Condition: New. The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad. Seller Inventory # LU-9781804296738
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