Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE. The focus is centred upon the functionality of a particular form of gendered imagery in a ritualised, funerary context. The spaces and images in which Watetkhethor is featured alone, or in support of her spouse, indicate something of an elite woman’s expectations of the afterlife at this particular time. Contemporaneous examples as detailed as Watetkhethor’s are rare, and her status may have permitted Watetkhethor’s personal involvement in designing the funerary programme. Her. The arrangements would have been ‘state-of-the-art’, meeting the requirements of a woman identified as the eldest daughter of King Teti, c. 2300-2181 BCE. However, to date, the assumptions of twentieth century anachronisms, attitudes and biases have all but dismissed the rich iconographical programme of specifically feminised arrangements within this shared tomb.
"synopsis" may belong to another edition of this title.
Barbara O’Neill completed an Mres (awarded with distinction) at the University of Winchester in 2015. This work focused upon ancient Egyptian offering tables scenes, particularly those assigned exclusively to women, in Old and Middle Kingdom Egypt (published with Archaeopress the same year). The author’s PhD research (2016-2021) carried out at the University of Winchester, centred on the role of the divine feminine in ancient Egyptian funerary art (University of Winchester). An MA in Egyptology (awarded with distinction) was completed online with the University of Manchester (2021) where the author was part of the first cohort of a Masters programme led by Professor Joyce Tyldesley.|Barbara O’Neill completed an Mres (awarded with distinction) at the University of Winchester in 2015. This work focused upon ancient Egyptian offering tables scenes, particularly those assigned exclusively to women, in Old and Middle Kingdom Egypt (published with Archaeopress the same year). The author’s PhD research (2016-2021) carried out at the University of Winchester, centred on the role of the divine feminine in ancient Egyptian funerary art (University of Winchester). An MA in Egyptology (awarded with distinction) was completed online with the University of Manchester (2021) where the author was part of the first cohort of a Masters programme led by Professor Joyce Tyldesley.
"About this title" may belong to another edition of this title.
Seller: ISD LLC, Bristol, CT, U.S.A.
paperback. Condition: New. 1st. Seller Inventory # 1699401
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 46657259-n
Seller: Chiron Media, Wallingford, United Kingdom
Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Seller Inventory # 6666-GRD-9781803275536
Quantity: 1 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9781803275536
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 46657259
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9781803275536
Quantity: 1 available
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE. The focus is centred upon the functionality of a particular form of gendered imagery in a ritualised, funerary context. The spaces and images in which Watetkhethor is featured alone, or in support of her spouse, indicate something of an elite woman's expectations of the afterlife at this particular time. Contemporaneous examples as detailed as Watetkhethor's are rare, and her status may have permitted Watetkhethor's personal involvement in designing the funerary programme. Her. The arrangements would have been 'state-of-the-art', meeting the requirements of a woman identified as the eldest daughter of King Teti, c. 2300-2181 BCE. However, to date, the assumptions of twentieth century anachronisms, attitudes and biases have all but dismissed the rich iconographical programme of specifically feminised arrangements within this shared tomb. Seller Inventory # LU-9781803275536
Quantity: 1 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9781803275536_new
Quantity: 1 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 46657259-n
Quantity: 1 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 46657259
Quantity: 1 available