Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. The growth and dynamism of creative industries depends on “continuous innovation” that must manage inherent tensions such as novelty to attract consumers and sustain artistic expression and familiarity to aid comprehension and stabilize demand for cultural products.
In this volume, the macro-structural conditions that shape creative industries – their institutional, categorical and structural dynamics- are examined to provide an overview of new trends and emerging issues in scholarship on this topic. Creative industries offer products and services that range from the prosaic to the sublime and provide meaning to our lives, and this volume features a wide range of examples, from advertising, to architecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactions of brokerage relations; how actors transform a brokerage role from control to co-production to enact creative leadership; how investors provide legitimacy to the new categories such as abstract art; how technological disintermediation creates alternative category processes such as authenticity; how social relations shape social evaluation; how prototypical producers can trespass categories and avert negative evaluation; how personal styles enable social evaluation; and how the ambiguity of a category, such as Swing music, facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creative industries as a form of cultural product and a category in itself.
"synopsis" may belong to another edition of this title.
Candace Jones is the Chair of Global Creative Enterprise at the University of Edinburgh Business School, UK. She is co-editor of The Oxford Handbook of Creative Industries and is on the Editorial Review Boards of Academy of Management Review, Journal of Professions and Organization, Organization Science and Organization Studies.
"About this title" may belong to another edition of this title.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L1-9781787437746
Quantity: Over 20 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 30584302
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9781787437746_new
Quantity: Over 20 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 30584302-n
Quantity: Over 20 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 30584302-n
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 30584302
Quantity: Over 20 available
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. Creative industries are a growing and globallyimportant area for both economic vitality and cultural expression ofindustrialized nations. The growth anddynamism of creative industries depends on "continuous innovation" that mustmanage inherent tensions such as novelty to attract consumers and sustainartistic expression and familiarity to aid comprehension and stabilize demandfor cultural products. In this volume, the macro-structuralconditions that shape creative industries - their institutional, categoricaland structural dynamics- are examined to provide an overview of new trends andemerging issues in scholarship on this topic. Creative industries offer products andservices that range from the prosaic to the sublime and provide meaning to ourlives, and this volume features a wide range of examples, from advertising, toarchitecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactionsof brokerage relations; how actors transform a brokerage role from control toco-production to enact creative leadership; how investors provide legitimacy tothe new categories such as abstract art; how technological disintermediationcreates alternative category processes such as authenticity; how socialrelations shape social evaluation; how prototypical producers can trespasscategories and avert negative evaluation; how personal styles enable socialevaluation; and how the ambiguity of a category, such as Swing music,facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creativeindustries as a form of cultural product and a category in itself. Seller Inventory # LU-9781787437746
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Seller Inventory # C9781787437746
Quantity: Over 20 available
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Hardback. Condition: New. Creative industries are a growing and globallyimportant area for both economic vitality and cultural expression ofindustrialized nations. The growth anddynamism of creative industries depends on "continuous innovation" that mustmanage inherent tensions such as novelty to attract consumers and sustainartistic expression and familiarity to aid comprehension and stabilize demandfor cultural products. In this volume, the macro-structuralconditions that shape creative industries - their institutional, categoricaland structural dynamics- are examined to provide an overview of new trends andemerging issues in scholarship on this topic. Creative industries offer products andservices that range from the prosaic to the sublime and provide meaning to ourlives, and this volume features a wide range of examples, from advertising, toarchitecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactionsof brokerage relations; how actors transform a brokerage role from control toco-production to enact creative leadership; how investors provide legitimacy tothe new categories such as abstract art; how technological disintermediationcreates alternative category processes such as authenticity; how socialrelations shape social evaluation; how prototypical producers can trespasscategories and avert negative evaluation; how personal styles enable socialevaluation; and how the ambiguity of a category, such as Swing music,facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creativeindustries as a form of cultural product and a category in itself. Seller Inventory # LU-9781787437746
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 230 pages. 9.00x6.25x1.00 inches. In Stock. Seller Inventory # x-1787437744
Quantity: 2 available