'Howe is peerless and I look at her work, happily, with awe' OCEAN VUONG
A landmark new collection from T. S. Eliot Prize-winner Sarah Howe, navigating the complex inheritance of family, language and colonialism – and forming a portrait of a mother in search of her past and herself.
'Unearthed in a clear-out, a picture calendar she’s kept
– hoarding, I’ve learnt, is a mark of the emigrant –
across continents and time.'
So begins Sarah Howe’s extraordinary new collection, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother’s clouded past: abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives.
Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?
Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas.
'Foretokens arrives . . . as a kind of literary event . . . It’s a work of supreme concision. Not a word is out of place' Lucy Thynne, Telegraph
"synopsis" may belong to another edition of this title.
Sarah Howe is a British poet, academic and editor. Born in Hong Kong to an English father and Chinese mother, she moved to England as a child. Her pamphlet, A Certain Chinese Encyclopedia, won an Eric Gregory Award, and her first collection, Loop of Jade (Chatto & Windus, 2015), won the T.S. Eliot Prize and the Sunday Times Young Writer of the Year Award, and was shortlisted for the Forward Prize for Best First Collection. In 2014, she co-founded Prac Crit, an online journal of poetry and criticism. She is currently the Poetry Editor at Chatto & Windus and an Honorary Visiting Professor at the University of Liverpool.
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Paperback. Condition: new. Paperback. A landmark new collection from T. S. Eliot Prize-winner Sarah Howe, navigating the complex inheritance of family, language and colonialism - and forming a portrait of a mother in search of her past and herself.'Howe is peerless and I look at her work, happily, with awe' OCEAN VUONGA landmark new collection from T. S. Eliot Prize-winner Sarah Howe, navigating the complex inheritance of family, language and colonialism - and forming a portrait of a mother in search of her past and herself.'Unearthed in a clear-out, a picture calendar she's kept- hoarding, I've learnt, is a mark of the emigrant -across continents and time.'So begins Sarah Howe's extraordinary new collection, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother's clouded past- abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives. Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?What unfolds is a personal Babel of voices and identities, and an examination of the contradictory legacies of colonialism, where poems - past and present - act as 'foretokens', omens of what lies ahead. A central spine of poems takes the molecular structure of DNA as its template- a 'ladder of atoms beginning to twist', down which the poet steps into the darkness of time. Objects of witness resurface to tell their own stories- fragile porcelains of past centuries transiting across continents; a picture calendar of old postcards from another world.'From the other side of ruin / we found safe passage', Howe writes in these spectacular poems of emotional heft and quickening wit, their voice salvaged from the fragments of a former self. Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781784746131
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Paperback. Condition: New. 'Howe is peerless and I look at her work, happily, with awe' OCEAN VUONGA landmark new collection from T. S. Eliot Prize-winner Sarah Howe, navigating the complex inheritance of family, language and colonialism - and forming a portrait of a mother in search of her past and herself.'Unearthed in a clear-out, a picture calendar she's kept - hoarding, I've learnt, is a mark of the emigrant - across continents and time.'So begins Sarah Howe's extraordinary new collection, returning to the riddle of belonging she explored in her award-winning debut, Loop of Jade. At the heart is her own mother's clouded past: abandoned as a baby and taken in, at the turbulent dawn of Communist China, by a woman with her own hidden motives.Now a mother herself, Howe finds herself re-examining this unreliable narrative with fresh sight. Sifting through her own history, the poet asks, how can a new generation transform a shattered inheritance? And what is lost and gained in the pursuit?Foretokens is a monumental work of survival and creation, turning over what is left behind as it strikes out towards astonishing new vistas.'Foretokens arrives . . . as a kind of literary event . . . It's a work of supreme concision. Not a word is out of place' Lucy Thynne, Telegraph. Seller Inventory # LU-9781784746131
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