**Shortlisted for the Costa Biography Award 2019**
**SUNDAY TIMES BESTSELLER**
'A modern masterpiece' Guardian
Uncovering the mystery of her mother’s disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story.
In the autumn of 1929, a small child was kidnapped from a Lincolnshire beach. Five agonising days went by before she was found in a nearby village. The child remembered nothing of these events and nobody ever spoke of them at home. It was another fifty years before she even learned of the kidnap.
The girl became an artist and had a daughter, art writer Laura Cumming. Cumming grew up enthralled by her mother’s strange tales of life in a seaside hamlet of the 1930s, and of the secrets and lies perpetuated by a whole community. So many puzzles remained to be solved. Cumming began with a few criss-crossing lives in this fraction of English coast – the postman, the grocer, the elusive baker – but soon her search spread right out across the globe as she discovered just how many lives were affected by what happened that day on the beach – including her own.
On Chapel Sands is a book of mystery and memoir. Two narratives run through it: the mother’s childhood tale; and Cumming’s own pursuit of the truth. Humble objects light up the story: a pie dish, a carved box, an old Vick’s jar. Letters, tickets, recipe books, even the particular slant of a copperplate hand give vital clues. And pictures of all kinds, from paintings to photographs, open up like doors to the truth. Above all, Cumming discovers how to look more closely at the family album – with its curious gaps and missing persons – finding crucial answers, captured in plain sight at the click of a shutter.
'A moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life' Sunday Times
**Shortlisted for the Baillie Gifford Prize for Non-Fiction**
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"*Memoir of the Year* How we see -- and who see and what secrets they choose to share -- is at the heart of this exquisitely composed memoir... A peerless detective story that keeps you guessing to the end" (The Sunday Times)
"On Chapel Sands is much more than a search for truth. It is a moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life. In short, a masterpiece" (John Carey Sunday Times)
"Cumming skilfully withholds key twists in the tale, revealing them at just the right moment. There are surprises, but no shocks. Her prose is too elegant for such gaudiness – composed and restrained but empathetic" (Leaf Arbuthnot The Times)
"Brilliant... This book is a love letter to her [Cumming's] mother, whose warmth, articulacy and survival instincts shine though. It's also an intimate portrait of a village community, with its storybook characters (butcher, baker, dairyman, bell-ringer, gravedigger) and their wonderful old-fashioned names" (Blake Morrison Guardian)
"By turns beautiful, wistful, and ominous... the reasons behind the kidnap, and the repurcussions, are every bit as complex as any served up by fiction, and, oddly enough, the dénouement -- or succession of dénouements -- is just as satisfying, perhaps more so... a meditation on the way some people disappear, and time erases memory... so familiar as to be universal, and will probably ring bells with all but the sunniest reader (***** Five Stars)" (Craig Brown Mail on Sunday)
"A deeply felt, forensic yet ultimately empathetic examination of human motivation and its attendant sorrows, which is as much a social history of the early 20th century as it is the story of one family and its secrets... [Cumming's] intermeshing of art, time and memory is superlative... The repercussions are interrogated by Cumming with a hungry precision up to her last, revelatory pages" (Catherine Taylor Daily Telegraph)
"On Chapel Sands is a mystery solved through empathy and interpretation. It feels as if this is the book Cumming has been working towards, a deeply personal story but one that also draws on practised skills as a critic and a writer. It is perfectly balanced between the requirements of its narrative and the expression of its author's passions. It is a moving tribute from a daughter to her parents and grandparents. It is beautifully written" (Andy Miller Spectator)
"Unputdownable... this memoir-cum-detective story becomes a remarkable search for truth" (Charlotte Cox Sunday Telegraph)
"A fascinating, beautifully written feat of detective work, evoking bygone Britain during an era when so much was left unsaid" (Charlotte Heathcote Daily Mail, *Book of the Week*)
"A poetic blend of memoir and detective story... Cumming breathes new life into the form, with her art critic’s analysis of the family photographs which appear on many of the pages" (Marcus Field Evening Standard)
Laura Cumming has been chief art critic of the Observer since 1999. Her book, The Vanishing Man: In Pursuit of Velázquez, was Book of the Week on Radio 4, Wall Street Journal Book of the Year and a New York Times bestseller. It won the 2017 James Tait Black Biography Prize and was published to critical acclaim (‘A riveting detective story: readers will be spellbound’ Colm Tóibín). Her first book, A Face to the World: On Self-Portraits, was described by Nick Hornby as ‘Brilliant, fizzing with ideas not just about art but human nature’ and by Julian Barnes as ‘that rare item: an art book where the text is so enthralling that the pictures almost seem like an interruption’.
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