A historical, critical look at the famous videogame franchise BioShock, understanding it through philosophical, ideological and computational interpretations of systems, decisions and 'propaganda'.
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Robert Jackson is an arts writer and PhD student at Lancaster University studying Computer Science, systems, aesthetics and Continental Philosophy. He is an associate editor of Speculations, a journal dedicated to Speculative Realism and writes for the digital arts collective Furtherfield.org.
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