Pearlman writes about the predicaments odd, wry, funny and painful of being human . . . [Her] view of the world is large and compassionate, delivered through small, beautifully precise moments. Her characters inhabit terrain that all of us recognize, one defined by anxieties and longing, love and grief, loss and exultation. These quiet, elegant stories add something significant to the literary landscape
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Pearlman writes about the predicaments odd, wry, funny and painful of being human . . . [Her] view of the world is large and compassionate, delivered through small, beautifully precise moments. Her characters inhabit terrain that all of us recognize, one defined by anxieties and longing, love and grief, loss and exultation. These quiet, elegant stories add something significant to the literary landscape (The New York Times)
The literary discovery of 2013... lucid, witty, devastating... a masterclass on how to deliver literature's bittersweet blow in simply a few pages (Sunday Telegraph)
No devotee of the short-story form will be unfamiliar with this quietly gifted American artist... She has written more great stories than one writer could expect, even during a 40-year career. Unfair? Life's like that (Eileen Battersby Irish Times)
Edith Pearlman, born in 1936, published her debut collection of stories in 1996, at age 60. Last year, she won The National Book Critics Circle Award for Fiction for Binocular Vision. She has published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work has won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which puts her in the ranks of John Updike, Joyce Carol Oates, and other luminaries.
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