She's at the Controls: Sound Engineering, Production and Gender Ventriloquism in the 21st Century (Music Industry Studies) - Softcover
Synopsis
She's at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry based on interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are preceded by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette. A range of supporting material from academic works to technical publications and popular music journalism is used to expand and critique the discourse.
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About the Author
Helen Reddington is Senior Lecturer in Music Production at the University of East London. She is the author of The Lost Women of Rock Music: Female Musicians of the Punk Era (Second Edition, Equinox, 2012).
"About this title" may belong to another edition of this title.
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She's at the Controls: Sound Engineering, Production and Gender Ventriloquism in the 21st Century (Music Industry Studies)
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Equinox Publishing (UK), 2021
ISBN 10: 1781796513
ISBN 13: 9781781796511
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She's at the Controls : Sound Engineering, Production and Gender Ventriloquism in the 21st Century
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She's at the Controls: Sound Engineering, Production and Gender Ventriloquism in the 21st Century (Paperback or Softback)
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ISBN 10: 1781796513
ISBN 13: 9781781796511
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She's at the Controls
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ISBN 10: 1781796513
ISBN 13: 9781781796511
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Paperback. Condition: New. She's at the Controls gives a socio-historical examination of the roles of women studio professionals in the UK music industry. At the heart of the book are interviews conducted over six years with 30 female studio practitioners at different stages of their careers and working in different genres of popular music including reggae, hip hop and pop. The edited interviews are followed by an in-depth exploration of the often unseen and unacknowledged gender rules of music industry practice (both personal and technical) that underpin popular music etiquette. A range of supporting material from academic works to technical publications and popular music journalism is used to expand and critique the discourse. She's at the Controls will appeal to everyone interested in new developments in the music industry, as it recalibrates itself in response to current challenges to its traditional gender stereotypes. Seller Inventory # LU-9781781796511
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