Line Let Loose is a sustained investigation of the evolution of scribbling, doodling and automatic drawing. Of these three forms of drafting, scribbling is the most basic: it is seen as playing a formative role in the drawings of both children and primates. Doodling, whilst still being a widespread phenomenon, is largely an adult preoccupation, a nomadic form of drawing typically produced during meetings or phone calls. Automatic drawing, on the other hand, even though those who engage in it are not necessarily trained artists, is a more dramatic event: the results of an absent-minded or trance-like state are sometimes astonishing. All three forms of drawing have, because of their amateur and spontaneous character, been adopted by modern artists seeking to escape from the constraints of their professional skills.
David Maclagan shows that each of these marginal forms of drawing has its own history, which includes Spiritualism, Surrealism, Abstract Expressionism and Psychedelic Art. Referring to Klee, Pollock, Miró, Twombly and Sol Lewitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion of the spontaneous and ‘unconscious’ creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to wear off, and he explores their new situation in our modern digital culture.
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David Maclagan is a retired university lecturer and art therapist. based in Yorkshire. He has published numerous articles on Outsider art, art therapy and image-based psychology, and is the author of Creation Myths: Man's Introduction to the World (1977), and Psychological Aesthetics: Painting, Feeling and Making Sense (2001) and Outsider Art (Reaktion, 2009).
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Hardback. Condition: New. Line Let Loose is a sustained investigation of the evolution of scribbling, doodling and automatic drawing. Of these three forms of drafting, scribbling is the most basic: it is seen as playing a formative role in the drawings of both children and primates. Doodling, whilst still being a widespread phenomenon, is largely an adult preoccupation, a nomadic form of drawing typically produced during meetings or phone calls. Automatic drawing, on the other hand, even though those who engage in it are not necessarily trained artists, is a more dramatic event: the results of an absent-minded or trance-like state are sometimes astonishing. All three forms of drawing have, because of their amateur and spontaneous character, been adopted by modern artists seeking to escape from the constraints of their professional skills.David Maclagan shows that each of these marginal forms of drawing has its own history, which includes Spiritualism, Surrealism, Abstract Expressionism and Psychedelic Art. Referring to Klee, Pollock, Miró, Twombly and Sol Lewitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion of the spontaneous and 'unconscious' creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to wear off, and he explores their new situation in our modern digital culture. Seller Inventory # LU-9781780230825
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Hardcover. Condition: new. Hardcover. Line Let Loose is a sustained investigation of the evolution of scribbling, doodling and automatic drawing. David Maclagan shows that each of these marginal forms of drawing has its own history, which includes spiritualism, Surrealism, Abstract Expressionism and psychedelic art. With reference to Paul Klee, Jackson Pollock, Joan Mir, Cy Twombly and Sol LeWitt, as well as many lesser-known or anonymous artists, he traces the links between them and a pervasive notion concerning the spontaneous and 'unconscious' creation of forms in art. He suggests that the original novelty of these unconventional drawing processes has begun to fade, and he explores their new situationin our modern digital culture. Line Let Loose Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781780230825
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Condition: New. David Maclagan's book is an investigation of scribbling, doodling and automatic drawing, marginal forms that have all been used by modern artists seeking spontaneous or 'unconscious' creation. Num Pages: 176 pages, 30 colour. BIC Classification: AFF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 206 x 150 x 17. Weight in Grams: 486. . 2013. Hardcover. . . . . Seller Inventory # V9781780230825
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