Cursed Objects: Strange But True Stories of the World's Most Infamous Items - Hardcover

J. W. Ocker

Hardcover

ISBN 10: 1683692365 ISBN 13: 9781683692362

Publisher: Quirk Books, 2020

Synopsis

They're lurking in museums, graveyards, and private homes around the world. Their stories have inspired countless horror movies, reality TV shows, campfire tales, books, and even chain emails. They're cursed objects, and in order to unleash a wave of misfortune, all they need is you. As a culture, we can t seem to get enough of cursed objects. But never before have the true stories of these infamous real-life items been compiled into a fascinating and chilling volume. Entries include: Annabelle the Doll, a Raggedy Ann doll which inspired the acclaimed horror franchise The Conjuring The Tomb of Tutankhamen, the discovery of which kicked-started media hysteria over a rumored Curse of the Pharaohs The Ring of Silvianus, a Roman artifact believed to have inspired J. R. R. Tolkien s The Hobbit The Hope Diamond, which was owned by kings and inspired the Heart of the Ocean in James Cameron's Titanic The Dybbuk Box, which was sold on eBay and inspired the horror film The Possession. Whether you believe in curses or not, the often tragic and always bizarre stories behind these objects will fascinate you. Many of them have intersected with some of the most notable events and people in history. But beyond Hollywood and beyond the hysteria, author J. W. Ocker suggests that cursed objects are simply objects which have been witness to great human tragedy, and thereafter operate as mechanisms for remembering and retelling those stories. Cursed Objects will be equally appealing to true believers as well as history buffs, horror fans, and anyone who loves a good spine-tingling tale.

About this title

About the Author

J. W. (Jason) Ocker is an Edgar Award winning travel writer, novelist, and blogger. His book Poe-Land: The Hallowed Haunts of Edgar Allan Poe was nominated for an Anthony Award and won the 2015 Edgar Award for Best Critical/Biography. His other books include The New England Grimpendium and The New York Grimpendium, each of which won a Lowell Thomas Award from the American Society of Travel Writers, and A Season with the Witch: The Magic and Mayhem of Halloween in Salem, all published by Countryman Press/W.W. Norton. He s the author of the novels Death and Douglas (Sky Pony) and Twelve Nights at Rotter House (Turner). He is also the creator of OTIS: Odd Things I've Seen (oddthingsiveseen.com), where he chronicles his visits to thousands of oddities of culture, art, nature, and history across world. His writing can be found in the Boston Globe, CNN, The Atlantic, Atlas Obscura, The Guardian, and more.

From the Back Cover

They're lurking in museums, graveyards, and private homes around the world. Their stories have inspired countless horror movies, reality TV shows, campfire tales, books, and even chain emails. They're cursed objects, and in order to unleash a wave of misfortune, all they need is you. As a culture, we can t seem to get enough of cursed objects. But never before have the true stories of these infamous real-life items been compiled into a fascinating and chilling volume. Entries include: Annabelle the Doll, a

Excerpt. © Reprinted by permission. All rights reserved.

Headfirst into the Accursed

I hate to be the one to tell you this, but many seemingly innocuous objects will make your life suck. They might even kill you. We call these objects cursed. A cursed object could be a vase, a chair, a painting, a doll: things we all have around our houses, in our attics and basements. They could be in museums, separated from the general populace by a thin piece of glass. They could be out in the open — masquerading as ordinary statues or rocks, for instance. Anything can be cursed, and you rarely know until it’s too late. Good thing you have this book to help you.
     So what is a cursed object? In lore, it’s an inanimate item that brings misfortune, harm, or death to its owners or those with whom it comes in contact. An object can become cursed because someone with powerful and mystical knowledge hexes it. Or it could have been present at a scene of great tragedy, absorbing dark energy like a battery and powering other tragedies going forward. It could be inherently evil from the start, all the way down to its MADE IN CHINA sticker. Or it could all just be in our heads.
     You don’t have to believe in cursed objects to be fascinated by them. Because another, less paranormal definition of a cursed object is an object that gathers stories to itself — and more specifically, tragedies. Objects are intimately connected to people. We make them, live with them, use them, love them, and are sometimes even buried with them, and people continuously find themselves in the midst of tragedy. Cursed objects are those items that have simply been the mute witnesses to more tragedies than other items. They then become devices for remembering those stories and provide opportunities for retelling them.
     And don’t get me wrong. There’s magic in that, too: that a simple oak chair, out of millions of oak chairs in the world, would be connected to so many stories of misfortune and death (see Busby’s Stoop Chair, page 123). The idea that cursed objects operate as storytelling mechanisms for tragedy in culture is at the heart of this book, although that doesn’t mean we won’t have fun with the notion that there might be other, less explainable, and more sinister forces at work.
      In this book, we’ll look at crystal skulls and creepy dolls, tiny stone heads and ancient weapons. We’ll cover the infamous, including Annabelle the Doll (page 173) and the Hope Diamond (page 18), as well as the obscure. Ever heard of the Little Mannie with His Daddy’s Horns (page 134)? Probably not. I’ve risked visiting a few firsthand for you. I even brought one into my home. We’ll dip into the business of cursed objects, where cursed is prized as a marketing term and cursed objects are collected, displayed in museums, and even sold on eBay. We’ll learn that even technology and digital artifacts can be cursed.
     Before we begin, we’ll need to define some terms. Cursed is often used synonymously with haunted and possessed, but these three qualities are distinct. For our purposes, the difference is one of intelligence. Cursed items have none. They’re objects that have become bad luck via someone who has purposefully cursed them or by happenstance. By contrast, a haunted object has a spirit intelligence attached directly to it, and a possessed item is similarly inhabited, in this case by a demonic entity (although some say that an object cannot technically be possessed, only humans can . . . lucky us). Both haunted and possessed objects can function practically as cursed objects if they bring misfortune to enough people, but if they merely act spooky, then they’re not cursed. 
     Take, for instance, the wedding dress of Anna Baker at the Baker Mansion History Museum in Altoona, Pennsylvania, or the haunted mirror at the Myrtles Plantation in St. Francisville, Louisiana. Both objects are mentioned regularly in articles about cursed items. But stories of the Anna Baker wedding dress mostly involve the dress moving around on its own and the specter of its owner popping up here and there. The haunted mirror at the Myrtles Plantation reflects creepy figures and sometimes appears smudged with ghostly handprints. Both objects are spooky as hell, but neither causes the serial misfortune that a cursed object is supposed to.
     For the purposes of this book, I’ve also ruled out cursed objects without detailed curse stories. For instance, the Villa Zorayda Museum in St. Augustine, Florida, displays an Egyptian rug made entirely out of cat hair that was once wrapped around a mummified human foot (also on display). Some posit that it’s the oldest existing rug. Others posit that it’s cursed and that anyone who steps on the rug will die (hence why the rug is currently hung on a wall). However, its entire curse story was contained in those three sentences. A fascinating object, but difficult to wring a narrative essay out of.
     Now, more than objects can be cursed. People can. Places can. But for the purposes of this journey, I’m interested in objects that are cursed. I generally followed the terrifying maxim, “Could I inadvertently pick it up at a flea market or an antiques store and bring it into my home?” or, “Could I
brush up against it in a museum and be forever damned?” And, with a handful of notable exceptions, that’s exactly what is included in this book.
     So, beware. Because it’s not just ancient artifacts looted from old coffins buried deep in exotic climes that will ruin your life. It could also be the “I Hate Mondays” coffee mug on your desk that your mom bought you at a garage sale.

Edition details

• Publisher: Quirk Books
• Publication date: 2020
• Language: English
• ISBN 10: 1683692365
• ISBN 13: 9781683692362
• Binding: Hardcover
• Edition number: 1
• Number of pages: 272