Set along lonely highways, the voices within When the Body is a Guardrail are restless and searching—these poems are seeking new ways of seeing, of being, of interpreting what it means to be human. Too often we treat life like a highway, like an 80s rock ballad, as both distance and a bridge, speeding towards some vast unknown, donning knee and shoulder pads, shin-guards and helmets, learning “to pull on flak jackets” and “to tread with stealth” that jewelry “jangles like an aftermath of traps.” We want to be close, create intimacy without risk, but fail. And when we fail, we cannot forgive each other, or ourselves. The truth is, we drive into the morning light forgetting that experience will change us by the time we drive home through the evening sun. Each time we change, we become a new person, versions of ourselves that are never fully erased. When the Body is a Guardrail doesn’t hide from disappointment or failure, that “soft-wet empty snow already understands.” This collection begs us to pay attention: to the isolation of routine and small towns; to our allegiance to beginnings and endings but not to the journey itself; to the addict inside all of us. With eyes on the horizon, we are always looking for that bliss, that Eden, that perfection, and we are always failing. However, these poems are testaments to our resiliency, because despite all our flaws, we keep trying, we keep trucking along with windows rolled down and radios blaring.
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Kara Dorris is the author of Have Ruin, Will Travel (Finishing Line Press, 2019). She has also published five chapbooks: Elective Affinities (dancing girl press, 2011), Night Ride Home (Finishing Line Press, 2012), Sonnets from Vada's Beauty Parlor & Chainsaw Repair (dancing girl press, 2018), Untitled Film Still Museum (CW Books, 2019), and Carnival Bound [or please unwrap me] co-written with Gwendolyn Paradice (The Cupboard Pamphlet, 2020). Her poetry has appeared in Prairie Schooner, DIAGRAM, I-70 Review, Rising Phoenix, Harpur Palate, Cutbank, Hayden Ferry Review, Tinderbox, Puerto del Sol, The Tulane Review, and Crazyhorse, among others literary journals, as well as the anthology Beauty is a Verb (Cinco Puntos Press, 2011). Her prose has appeared in Wordgathering, Breath and Shadow, Waxwing, and the anthology The Right Way to be Crippled and Naked (Cinco Puntos Press, 2016). She earned a PhD in literature and poetry at the University of North Texas. Currently, she is a visiting assistant professor of English at Illinois College. For more information, please visit karadorris.com.
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