In the summer of 2003, mere weeks before his fortieth birthday, Lunt Moreland checks in at Hollywood's infamous Hotel Ofotert for the upcoming "Sharonfest," a gathering of his fellow "Sharonophiles"--obsessive, lifelong devotees of the 1960s movie starlet and Charles Manson murder victim, Sharon Tate.
Soon after arriving at the Hotel Ofotert, Lunt begins to receive ominous packages and menacing phone calls. Is his rival Glenn Mandrake, who is intent on blocking the publication of a Tate-centered book Lunt is trying to publish, responsible for these? Could it be his longtime confidante, the physically handicapped Sharonophile named Branson? Or perhaps the ill-intentioned sender is the quirky and beautiful green-haired young hipster whom Lunt has fallen for--and who also happens to be a lifelong member of Charles Mansons's still-existing cult, The Family--to blame? All that's certain is that Lunt's growing dependence on an Mucaquell, a powerful opiate-based cough syrup is not helping him get to the bottom things. Especially once he runs out... Comic, wistful, and perverse, Set the Controls for the Heart of Sharon Tate tackles the nature of reality and the dehumanizing elements of fame and celebrity."synopsis" may belong to another edition of this title.
"A writer-protagonist's obsessive efforts to unravel the riddle wrapped inside the mystery hidden within the enigma of his Sharon Tate obsession unfolds into a darkly comic social critique of our Charles Manson mythologizing. In the ultimate explosion of genres, Gary Lippman's skillful psychological thriller stirs one part of James "Demon Dog" Ellroy with a jigger of David Sedaris's grave hilarity for this raucuous tale, a tour de force of radiant nesting dolls and cultural madness."
--Laura Albert, international bestselling author of JT Leroy's Sarah and The Heart is Deceitful Above All Things
Born and raised in New Jersey, Gary Lippman received a law degree from Northwestern University and has worked with New York's Innocence Project. Lippman's play Paradox Lost ran off Broadway for a month in 2001 and his writing has been published in The New York Times, The Paris Review, VICE, Fodors, and more. Having lived in Illinois, Florida, California, and France, Lippman can now be found in what used to be called "Fun City" with his imaginary French bulldog, his very real Hungarian wife, and a whenever-he's-inclined-to-visit adult son.
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