"A beautifully written reminder that without music, we are nothing." – Jeff Ament, Pearl Jam
Music is a cultural universal among all humans for all times. It is embedded in our DNA, essential to our surivival. Academics have considered this idea to devise explanations that Richard Manning, a lifelong journalist, finds hollow, incomplete, or just plain wrong. He approaches the question from a different angle, using his own guitar and banko as instruments of discovery. In the process, he finds himself dancing in celebration of music rough and rowdy.
American roots music is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, fieldhands, drunks, slackers, and hucksters. Yet these poor, working-class people, built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics' story.
Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion.
"synopsis" may belong to another edition of this title.
Rick Bass is a writer and environmental activist. Bass won the Story Prize for books published in 2016 for his collection of new and selected stories, For a Little While. He won the 1995 James Jones Literary Society First Novel Fellowship for his novel in progress, Where the Sea Used to Be. He was awarded the General Electric Younger Writers Award, a PEN/Nelson Algren Award Special Citation for fiction, and a National Endowment for the Arts fellowship. Richard Manning is a lifelong journalist and the author of eleven books. He is a contributing editor for Harper's magazine, was a John S. Knight Fellow in Journalism at Stanford University, and has received many awards, especially in environmental journalism.
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