The second edition of The Ultimate Live Sound Operator's Handbook is updated with new text, photos, illustrations, and video examples to specifically address the important, cutting-edge concerns faced by modern sound operators of all types. High-quality audio is increasingly imperative, whether you're running sound for a rock, country, punk, or jazz band performing in clubs, arenas, or outdoor parks. With the advent and implementation of large-budget multimedia presentations, along with high-resolution multichannel audio for movies, television, and downloads, any live act must sound great to be well received by today's increasingly savvy audience members. This revised handbook focuses on each aspect of live sound in a way that is straightforward and easy to understand, breaking the process down into principles and practices that assist the modern sound tech in everything from planning and budgeting to mixing and recording the live show.
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Bill Gibson (Seattle, WA) has spent the last 30+ years writing, performing, recording, producing, and teaching music. He has authored more than 30 books and videos about audio recording. His style is acclaimed for straightforward and understandable explanations of audio concepts and applications. Gibson is also know for his work helping Quincy Jones author the book Q on Producing. He also developed and teaches the online sound course for the Berklee College of Music in Boston. The course has been very helpful to an amazingly diverse international student body.
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