Dressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change.
Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before.
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Camille Benda is the Head of Costume Design at California Institute of The Arts, School of Theatre, where she has also been appointed to a Research and Practice Fellowship on inclusive and equitable dress history. She has a Masters of Fine Art in Theatre Design from Yale School of Drama, and a Masters of Art from the Courtauld Institute in the History of Dress.
Dressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change.
Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before.
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Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Dressing the Resistance is a celebration of how we use clothing, fashion, and costume to ignite activism and spur social change.Weaving together historical and current protest movements across the globe, Dressing the Resistance explores how everyday people and the societies they live in harness the visual power of dress to fight for radical change. American suffragettes made and wore dresses from old newspapers printed with voting slogans. Male farmers in rural India wore their wives' saris while staging sit-ins on railroad tracks against government neglect. Costume designer and dress historian Camille Benda analyzes cultural movements and the clothes that defined them through over 150 archival images, photographs, and paintings that bring the history of activism to life, from ancient Roman rebellions to the #MeToo movement, from twentieth-century punk subcultures to Black Lives Matter marches.Includes a Foreword by Ane Crabtree, costume designer, The Handmaid's Tale. Dressing the Resistance is a celebration of how we use clothing, fashion, and costume to ignite activism and spur social change. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781616899882
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. Dressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change. Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before. Seller Inventory # LU-9781616899882
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. Dressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change. Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before. Seller Inventory # LU-9781616899882
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2021. 01st Edition. Hardcover. . . . . . Seller Inventory # V9781616899882