The Principles of Art - Softcover

Collingwood, R. G.

Softcover

ISBN 10: 1614275602 ISBN 13: 9781614275602

Publisher: Martino Fine Books, 2014

Synopsis

2014 Reprint of 1938 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. R. G. Collingwood (1889-1943) was primarily a general philosopher and philosopher of history, and considered his work in aesthetics-the principal work being his "The Principles of Art" (1938)-as secondary. But the work in aesthetics has enjoyed a persistent readership that continues into the present. In the years after WWII he was probably the most widely read and influential aesthetician to have written in English since Addison, Hutcheson and Hume (not counting Ruskin as an aesthetician), and to this day continues to make his way into anthologies as a principal proponent of the expressive theory of art. In the field of the philosophy of history, Collingwood famously held the doctrine of 'Re-enactment': since the subject is human beings in action, the historian cannot achieve understanding by describing what happened from an external point of view, but must elicit in the reader's own mind the thoughts that were taking place in the principal actors involved in historical events. Similarly, the aesthetic procedure is one whereby the artist and spectator jointly come to realize, to come to know, certain mental states. Art is fundamentally expression. Collingwood saw two main obstacles to general understanding and acceptance of this: First, the word 'art' has surreptitiously acquired multiple meanings among ordinary folk which should be disentangled; second, a philosophical theory of the phenomenon of expression is needed to show that it is an essential part of the life of the mind, not just a special activity that poets go in for.

About this title

Review

"Collingwood is as insightful as ever; his observations and arguments have lost no validity since Principles was published."--Philip Chandler, College of St. Thomas More
"Without being pedantic, Collingwood is factual and precise; both his structure and facade are built up of thousands of details, and the whole forms an integrity, a synthesis, the product of an ordered mind which puts everything in its place."--John Cournos, The New York Times
"Collingwood is as insightful as ever; his observations and arguments have lost no validity since Principles was published."--Philip Chandler, College of St. Thomas More
"Without being pedantic, Collingwood is factual and precise; both his structure and facade are built up of thousands of details, and the whole forms an integrity, a synthesis, the product of an ordered mind which puts everything in its place."--John Cournos, The New York Times
"Collingwood is as insightful as ever; his observations and arguments have lost no validity since Principles was published."--Philip Chandler, College of St. Thomas More
"Without being pedantic, Collingwood is factual and precise; both his structure and facade are built up of thousands of details, and the whole forms an integrity, a synthesis, the product of an ordered mind which puts everything in its place."--John Cournos, The New York Times
"Collingwood is as insightful as ever; his observations and arguments have lost no validity since Principles was published."--Philip Chandler, College of St. Thomas More

"Without being pedantic, Collingwood is factual and precise; both his structure and facade are built up of thousands of details, and the whole forms an integrity, a synthesis, the product of an ordered mind which puts everything in its place."--John Cournos, The New York Times

"Collingwood is as insightful as ever; his observations and arguments have lost no validity since Principles was published."--Philip Chandler, College of St. Thomas More

"Without being pedantic, Collingwood is factual and precise; both his structure and facade are built up of thousands of details, and the whole forms an integrity, a synthesis, the product of an ordered mind which puts everything in its place."--John Cournos, The New York Times

From the Back Cover

Our first business is to investigate three kinds of art falsely so called. When that has been done we must see what there is left to be said about are proper.

Edition details

• Publisher: Martino Fine Books
• Publication date: 2014
• Language: English
• ISBN 10: 1614275602
• ISBN 13: 9781614275602
• Binding: Paperback
• Number of pages: 360