The story of The Trial's publication is almost as fascinating as the novel itself. Kafka intended his parable of alienation in a mysterious bureaucracy to be burned, along with the rest of his diaries and manuscripts, after his death in 1924. Yet his friend Max Brod pressed forward to prepare The Trial and the rest of his papers for publication.
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"Kafka's 'legalese' is alchemically fused with a prose of great verve and intense readability."
--James Rolleston, professor of Germanic languages and literatures, Duke University
"Breon Mitchell's translation is an accomplishment of the highest order that will honor Kafka far into the twenty-first century."
--Walter Abish, author of How German Is It
"This short novel has passed into far more than classical literary status.... In more than one hundred languages, the epithet "kafkaesque' attaches to the central images, to the constants of inhumanity and absurdity in our times.... In this diffusion of the kafkaesque into so many recesses of our private and public existence, "The Trial "plays a commanding role."
--From the Introduction by George Steiner
"Here we are taken to the limits of human thought. Indeed, everything in this work is, in the true sense, essential. It states the problem of the absurd in its entirety."
--Albert Camus
[I]t seemed as though the shame was to outlive him. With these words The Trial ends. Kafka s shame then is no more personal than the life and thought which govern it and which he describes thus: He does not live for the sake of his own life, he does not think for the sake of his own thought. He feels as though he were living and thinking under the constraint of a family . . . Because of this unknown family . . . he cannot be released.
Walter Benjamin
Breon Mitchell s translation is an accomplishment of the highest order that will honor Kafka far into the twenty-first century.
Walter Abish, author of How German Is It"
"'[I]t seemed as though the shame was to outlive him.' With these words The Trial ends. Kafka's shame then is no more personal than the life and thought which govern it and which he describes thus: 'He does not live for the sake of his own life, he does not think for the sake of his own thought. He feels as though he were living and thinking under the constraint of a family . . . Because of this unknown family . . . he cannot be released.'"
--Walter Benjamin
'It is the fate and perhaps the greatness of that work that it offers everything and confirms nothing' Albert Camus
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