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Synopsis
Providing a concise look at the foundations of posing, this guide illustrates the ways in which key posing strategies flatter the lines of the body, creating definition, dynamic lines, and a camera-friendly posture. Photographers learn how to analyze the facial features of their subjects to ensure the most flattering positioning, how to finesse fingers for delicate or strong hand positions, and how to adapt a pose for a man, woman, or child. Strategies for artfully posing couples, large groups, under- and overweight clients, the elderly, and everyone in between are detailed. With techniques and images from nearly 50 of the industry's most notable artists, this valuable sourcebook offers something for every film and digital photographer.
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About the Author
Bill Hurter is the editor of "Rangefinder" magazine and the author of "The Best of Children's Portrait Photography," "The Best of Portrait Photography," "The Best of Wedding Photography," "Group Portrait Photography Handbook," and "Portrait Photographer's Handbook." He lives in West Covina, California.
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The Portrait Photographer's Guide to Posing
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The Portrait Photographer's Guide to Posing
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Amherst Media (edition 2), 2011
ISBN 10: 1608952436
ISBN 13: 9781608952434
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The Portrait Photographer's Guide To Posing: 2nd Edition
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Paperback. Bill Hurter, Amherst Media. In the early years of photographic portraiture, posing was an absolute necessity. With extremely slow films, equally slow lenses and a lack of artificial light sources, time dictated long exposures. Due to vastly improved technology, photographers are now able to work freely and naturally, recording spontaneity in their portraits, yet not forgetting the posing rules that existed. As Bill Hurter shows in The Portrait Photographer's Guide To Posing, there is room in the market for both approaches. AUTHOR: Bill Hurter started out in photography in 1972 in Washington, DC, where he was a news photographer. He even covered the political scene including the Watergate hearings. After graduating with a BA in literature from an American University in 1972, he completed training at the Brooks Institute of Photography in 1975. Going on to work at Petersen's PhotoGraphic magazine, he held practically every job except art director. He has been the owner of his own creative agency, shot stock, and worked assignments (including a year or so with the L.A. Dodgers). He has been directly involved in photography for the last thirty plus years and has seen the revolution in technology. In 1988, Bill was awarded an honorary Masters of Fine Arts Degree from Brooks. He has written close to forty instructional books for professional photographers and is currently the editor of Rangefinder and AfterCapture magazines. Colour photographs throughout. Paperback. Seller Inventory # 9781608952434
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