S.J. Perelman: Writings (LOA #346) (The Library of America, 346) - Hardcover

Perelman, S. J.; Gopnik, Adam

Hardcover

ISBN 10: 1598536923 ISBN 13: 9781598536928

Publisher: Library Of America, 2021

Synopsis

Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humour. In these short comic pieces - Perelman called them feuilletons - his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces 'to transform the common cliche or figure of speech into an exploding cigar.' Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including his parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; a selection of letters written to correspondents such as Groucho Marx and Paul Theroux; and a garland of Perelman's witticisms strung together by Adam Gopnik.

About this title

About the Author

Sidney Joseph Perelman (1904-1979) was a longtime contributor to The New Yorker, in which he first published many of his humorous essays and sketches, and travel pieces. He also wrote film scripts for the Marx Brothers and shared an Oscar in 1956 with James Poe and James Farrow for the screenplay of Around the World in Eighty Days.

Adam Gopnik is a staff writer at The New Yorker; he has written for the magazine since 1986. He has three National Magazine awards, for essays and for criticism, and also a George Polk Award for Magazine Reporting. In 2013, Gopnik was awarded the medal of Chevalier of the Order of Arts and Letters. The author of numerous best-selling books, including Paris to the Moon, he lives in New York City.

From the Back Cover

S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces-Perelman called them feuilletons-his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including his parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult.

Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; a selection of letters written to correspondents such as Groucho Marx and Paul Theroux; and a garland of Perelman's witticisms strung together by Adam Gopnik.

Excerpt. © Reprinted by permission. All rights reserved.

From "Farewell, My Lovely Appetizer

Add Smorgasbits to your ought-to-know department, the newest
of the three Betty Lee products. What in the world! Just small
mouth-size pieces of herring and of pinkish tones. We crossed
our heart and promised not to tell the secret of their tinting.
— Clementine Paddleford's food column in the Herald Tribune. 
 
The "Hush-Hush" Blouse. We're very hush-hush about his 
name, but the celebrated shirtmaker who did it for us is famous 
on two continents for blouses with details like those deep yoke 
folds, the wonderful shoulder pads, the shirtband bow!
— Russeks adv. in the Times. 
 
I came down the sixth-floor corridor of the Arbogast Building, past the World Wide Noodle Corporation, Zwinger & Rumsey, Accountants, and the Ace Secretarial Service, Mimeographing Our Specialty. The legend on the ground-glass panel next door said, "Atlas Detective Agency, Noonan & Driscoll," but Snapper Driscoll had retired two years before with a .38 slug between the shoulders, donated by a snowbird in Tacoma, and I owned what good will the firm had. I let myself into the crummy anteroom we kept to impress clients, growled good morning at Birdie Claflin. 
     "Well, you certainly look like something the cat dragged in," she said. She had a quick tongue. She also had eyes like dusty lapis lazuli, taffy hair, and a figure that did things to me. I kicked open the bottom drawer of her desk, let two inches of rye trickle down my craw, kissed 
Birdie square on her lush, red mouth, and set fire to a cigarette.
     "I could go for you, sugar," I said slowly. Her face was veiled, watchful. I stared at her ears, liking the way they were joined to her head. There was something complete about them; you knew they were there for keeps. When you're a private eye, you want things to stay put. 
     “Any customers?”
     “A woman by the name of Sigrid Bjornsterne said she’d be back. A looker.”
     “Swede?”
     “She’d like you to think so.”
     I nodded toward the inner office to indicate that I was going in there, and went in there. I lay down on the davenport, took off my shoes, and bought myself a shot from the bottle I kept underneath. Four minutes later, an ash blonde with eyes the color of unset opals, in a Nettie Rosenstein basic black dress and a baum-marten stole, burst in. Her bosom was heaving and it looked even better that way. With a gasp she circled the desk, hunting for some place to hide, and then, spotting the wardrobe where I keep a change of bourbon, ran into it. I got up and wandered out into the anteroom. Birdie was deep in a crossword puzzle.
     “See anyone come in here?”
     “Nope.” There was a thoughtful line between her brows. “Say, what’s a five-letter word meaning ‘trouble’?”
     “Swede,” I told her, and went back inside. I waited the length of time it would take a small, not very bright boy to recite “Ozymandias,” and, inching carefully along the wall, took a quick gander out the window. A thin galoot with stooping shoulders was being very busy reading a paper outside the Gristede store two blocks away. He hadn’t been there an hour ago, but then, of course, neither had I. He wore a size-seven dove-colored hat from Browning King, a tan Wilson Brothers shirt with pale-blue stripes, a J. Press foulard with a mixed-red-and-white figure, dark blue Interwoven socks, and an unshined pair of ox-blood London Character shoes. I let a cigarette burn down between my fingers until it made a small red mark, and then I opened the wardrobe.
     “Hi,” the blonde said lazily. “You Mike Noonan?” I made a noise that could have been “Yes,” and waited. She yawned. I thought things over, decided to play it safe. I yawned. She yawned back, then, settling into a corner of the wardrobe, went to sleep. I let another cigarette burn down until it made a second red mark beside the first one, and then I woke her up. She sank into a chair, crossing a pair of gams that tightened my throat as I peered under the desk at them.
     “Mr. Noonan,” she said, “you — you’ve got to help me.”
     “My few friends call me Mike,” I said pleasantly.
     “Mike.” She rolled the syllable on her tongue. “I don’t believe I’ve ever heard that name before. Irish?”
     “Enough to know the difference between a gossoon and a bassoon.”
     “What is the difference?” she asked. I dummied up; I figured I wasn’t giving anything away for free. Her eyes narrowed. I shifted my two hundred pounds slightly, lazily set fire to a finger, and watched it burn down. I could see she was admiring the interplay of muscles in my shoulders. There wasn’t any extra fat on Mike Noonan, but I wasn’t telling her that. I was playing it safe until I knew where we stood.

Edition details

• Publisher: Library Of America
• Publication date: 2021
• ISBN 10: 1598536923
• ISBN 13: 9781598536928
• Binding: Hardcover
• Language: English
• Edition number: 1
• Number of pages: 575