The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image―its modes of dispersion, reception, consumption, and aggregation―and the significance of technological reproduction for contemporary forms of social, cultural, and political life.
Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image―its modes of dispersion, reception, consumption, and aggregation―and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.
"synopsis" may belong to another edition of this title.
Stanley Wolukau-Wanambwa is a photographer, writer, and educator. His book One Wall a Web (2018) was winner of the 2018 Paris Photo–Aperture Foundation First Book Award. Wolukau-Wanambwa has a BA in philosophy and French from Oxford University, and an MFA in photography from Virginia Commonwealth University. He has contributed essays and interviews to catalogues and monographs by Vanessa Winship, George Georgiou, Paul Graham, and Gregory Halpern. He is currently assistant professor and graduate program director of photography at the Rhode Island School of Design.
The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image―its modes of dispersion, reception, consumption, and aggregation―and the significance of technological reproduction for contemporary forms of social, cultural, and political life.
Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image―its modes of dispersion, reception, consumption, and aggregation―and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.
"About this title" may belong to another edition of this title.
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Seller Inventory # OTF-S-9781597115025
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography. Seller Inventory # LU-9781597115025
Quantity: 1 available
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. The Lives of Images, Vol. 1: Repetition, Reproduction, and Circulation. Book. Seller Inventory # BBS-9781597115025
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and "lives" of images-their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.Volume 1 of the series, Repetition, Reproduction, and Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered as both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, and Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.Contributions by Giorgio Agamben, Kate Palmer Albers, Erika Balsom, Aria Dean, Jodi Dean, Cora Gilroy-Ware, Boris Groys, Miriam Bratu Hansen, Rabih Mroue, and Hito Steyerl "Repetition, Reproduction, and Circulation addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781597115025
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CW-9781597115025
Quantity: 15 available
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography. Seller Inventory # LU-9781597115025
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 2 working days. Seller Inventory # B9781597115025
Quantity: 1 available
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 288. Seller Inventory # 379419956
Quantity: 3 available
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 288 pages. 7.00x0.47x0.63 inches. In Stock. Seller Inventory # __1597115029
Quantity: 2 available
Seller: Russell Books, Victoria, BC, Canada
Paperback. Condition: New. Special order direct from the distributor. Seller Inventory # ING9781597115025
Quantity: Over 20 available