Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern Architects, was first recognized for its distinguished houses, and residential design remains the cornerstone of the practice. This beautifully illustrated monograph―a companion to the best-selling Robert A. M. Stern: Houses―presents twenty-six of the firm's most memorable houses. Located in diverse settings across North America―from a valley in Colorado with sweeping views of the Aspen mountains to a bluff overlooking Long Island Sound to an island off the coast of British Columbia―these remarkable houses reveal the architect's emphasis on the importance of context and his dedication to exploring the nature of space. Each house invokes the vernacular architectural heritage particular to its region while gracefully reflecting its unique natural surroundings. Whether they are Shingle Style "cottages" by the sea, colonial Georgian country estates, or elegant Regency designs, Stern's houses are unique both for their timelessness and their ability to evoke a conversation with the past―a dialogue he believes lies at the heart of architecture. Pilar Viladas is the design editor of the New York Times Magazine.
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Robert A. M. Stern, the principal partner of the architectural practice he founded in 1969, is also dean of the Yale School of Architecture. In addition to monographs on the firm's work, Stern has written a series of books on New York's architecture and urbanism, including New York 1880, New York 1900, New York 1930, and New York 1960.
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Paperback. Condition: Very Good-. Over 200 Color & B/w illustrations; Advertising Matter (illustrator). First Edition. In pictorial wraps, 4to, 400pp. Illustrated profusely. (fading at spine and rear cover). Size: 4to - over 93/4" - 12" tall. Book. Seller Inventory # 0841843
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Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Plates bright and vivid. Softcover. English. See images for condition. About the book >.>.> Contemporary practice and theory remind me of the pop song "Fifty Ways to Leave Your Lover": they do anything but confront a situation head-on. When architects meet to discuss their art they pose issue after issue in a restless search to avoid addressing the simple but profound cir- cumstances of architecture. These "issues" include literary theory and social science, cyberspace and many more. But what of architecture itself? For me, architecture is enough-difficult but full of possibilities. For me, archi- tecture is an expression of the real world-the built world in the service of individuals and institutions. It is the art of construction, not deconstruction; of representation, not communication. It is the solidity of the here-and-now. Put another way, architecture is the stage on which humanity plays out its ever-changing drama. It is the stage, not the drama; the setting, not the performer. It is not inhabited sculpture, or drawings, or performance, to name but a few of the things it is. Seller Inventory # Batch-FM501-VG-11059
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hardcover. Condition: fine. Dust Jacket Condition: fine. First. Edited by Peter Morris Dixon. Profusely illustrated in color. Thick square 4to, brown cloth, d.w. (New York): Monacelli Press, (1998). First Edition. Binding cocked and wrapper spine faded, still near fine copy in a very good(+) dust wrapper. Inscribed by the architect on the half title. Seller Inventory # 226926
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hardcover. Condition: fine. Dust Jacket Condition: near fine. First. Edited by Peter Morris Dixon. Profusely illustrated in color. Thick square 4to, brown cloth, d.w. (small tear at head). New York: Monacelli Press, (1998). First Edition. A fine copy in a near fine dust wrapper. Inscribed by the architect on the half title. Seller Inventory # 331499
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