The biography of a central figure in the final era of hot-metal composition and printing
The book and type designer Frederic Warde is remembered today chiefly for his collaboration with Stanley Morison, for producing the singular typeface Arrighi. His life was short (he died in 1939, at the age of only forty-five) but in the previous two decades he had pursued a peripatetic, rollercoaster career that saw him come into contact with most of the leading players in his field, in England, Europe, and America: Bruce Rogers, Mardersteig, Updike, Ruzicka, George Macy, William Kittredge, and, of course, Morison, are just a few of a stellar cast of characters whose lives intersected with his orbit.
Until now, as it was scantily documented, Warde is the missing piece in the story of design, type, and printing in the interwar years, and this book will make essential reading for anyone interested in that critical period, one that saw the end of hot-metal and the emergence of graphic design as a distinct profession. Warde laid many false trails about his personal history, but the author has drawn upon a surprisingly large body of surviving documentation to piece together a fascinating picture of his life and of the complex, frustrating, sometimes dislikeable, but often inspiring, figure at its center.
The best of Warde’s extensive body of work displays a restraint and economy linked with an often striking color sense that feels thoroughly modern in its approach. This output was maintained, sometimes erratically, against the backdrop of Warde’s mercurial and fragmented professional and personal life. Polarizing the opinions of those he met, he was unfailingly a prolific, entertaining, and informed letter writer, and his correspondence provides invaluable insights into his world and those around him. Here is a designer’s life played out against the backdrop of the boom years of the 1920s, the challenges of the Depression, and the obstacles and opportunities created by his own remarkable, but troubled, genius.
"synopsis" may belong to another edition of this title.
Simon Loxley is a graphic designer and a writer on design, typography, and design history. He is the founding editor of Ultrabold magazine.
"About this title" may belong to another edition of this title.
Seller: HPB-Diamond, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_469144167
Seller: Blue Sky Rare Books, Palm Springs, CA, U.S.A.
Hardcover. Condition: Near fine. First Edition. Near fine copy, couple of neat pencil marks only. Seller Inventory # 4698
Seller: Ultramarine Books, Brooklyn, NY, U.S.A.
Hardcover. Condition: Fine. No Jacket. First Edition. Boston: David R. Godine, 2013. 194 pages; color and b&w illustrations. Warde, one of the finest American book designers and typographers worked mainly between the world wars. Clean throughout; tight binding. First Edition. quarter cloth-decorated boards. Fine/No Jacket. 8vo. Language: ENG. Seller Inventory # 005353
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 56708218-6
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized. Seller Inventory # mon0000348301
Seller: Montana Book Company, Fond du Lac, WI, U.S.A.
Hardcover. Condition: Near Fine. 1st Edition. 193 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. Seller Inventory # 089547
Seller: The Book Shed, Benson, VT, U.S.A.
Hardcover. Condition: Fine. illustrated edition. A New in all respects, no jacket as issued, clean and unmarked. First edition stated. From Wikipedia: Frederic Warde (1894 1939) was a printer, type designer, and typographic designer. One of the great book designers of the twentieth century, Will Ransom described him as "a curious blend of romantic idealism and meticulous practicality." In describing his own work, Warde stated, "The innermost soul of any literary creation can never be seen in all its clarity and truth until one views it through the medium of the printed page, in which there must be absolutely nothing to divide the attention, interrupt the thought, or to offend one's sense of form." Most items ship with tracking numbers and(generally over $15.00) jacket protectors if applicable. Clean recycled packing material will be used when possible. Seller Inventory # 1002433
Seller: Nightshade Booksellers, IOBA member, Atlanta, GA, U.S.A.
Hardcover. Condition: Fine. 1st Edition. First edition, stated. A fine copy without DJ as issued. See my photos of the book you will receive, not stock photos. All books are wrapped in bubble wrap and shipped in a cardboard box. USPS tracking provided. #145. Seller Inventory # 015820
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Hardcover. Condition: Near Fine. Hardcover. Slight handling. Otherwise, clean, tight, and unmarked. A sound and handsome copy, very neat. Illustrated. Seller Inventory # 86031h
Seller: Emile Kerssemakers ILAB, Heerlen, Netherlands
2013, 160pp. Illustrated. Halfcloth, with dust jacket. In very good condition. Seller Inventory # 65898
Quantity: 1 available