As society becomes more mobile and disjointed, regional differences and local character disappear. Americans are losing their sense of place and their connections to the local. This book shows how artists can create new understandings about land, history, culture and place. Lippard examines how artists such as Ansel, Adams, and Carrie Mae Weems depict place in landscape painting and photography, and how "nature" and landscape are reflected in films.
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"Interesting and thoughtful. . . . Her critiques are often delightfully acidic. . . . A solid contribution to popular geography." —Kirkus Reviews
"Lippard has signaled the highest political hopes of art, from her early embrace of ’60s conceptual art to her ’70s support of feminism to her careful documentation in the ’80s of the art of America’s ethnic communities. . . . [The Lure of the Local] arrives at an auspicious time, as interest in community history is on the rise throughout the country. . . . An encyclopedic study of the art of community." —The Oregonian
"An excellent reference guide to recent and historical place-oriented art and activism." —Preservation
Lucy R. Lippard is an internationally known writer, activist, and curator. She has authored twenty-three books, has curated more than fifty major exhibitions, and holds nine honorary doctorates of fine arts. Her books include The Lure of the Local, Partial Recall, The Pink Glass Swan, Mixed Blessings, On the Beaten Track, and Overlay, all published by The New Press. Lippard is the recipient of numerous awards, most recently the Carolyn Bancroft History Prize from the Denver Public Library and grants from Creative Capital and the Lannan Foundation. She lives in New Mexico.
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