With quotes from author Ralph Ellison and others, the editor's introduction makes a case for an African American aesthetic. The 21 readings, representing diverse timeframes (1920s to 1990s) and endeavors (music and dance, the oral art of satiric signifying, and sports and public displays of the body), shed light on the issues of: What is "black" in black culture? What purpose is served by identifying a unique African American style? How have these forms of cultural expression shaped American life? Annotation c. Book News, Inc., Portland, OR (booknews.com)
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This is the Golden Age of African-American cultural scholarship, and this anthology brings together some of the animating ideas and important documents out of which that scholarship has grown.--Roger D. Abrahams, author of Singing the Master: The Emergence of African American Culture in the Plantation South
Despite the recent flourishing of seminal and influential works in African-American literary theory, cultural studies, and cultural history, there exists no single book that offers interpretive readings of African-American expressive culture across disciplinary boundaries that is viable as an undergraduate text. I most certainly would order this collection for my class.--John Gennari, University of Virginia
Gena Dagel Caponi is Associate Professor of American studies at the University of Texas, San Antonio, and author of Paul Bowles: Romantic Savage.
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