Villages in China’s Shanxi province celebrated the birthdays of local gods with large festivals. The celebrations included solemn rituals performed in the god’s temple. They also included grand banquets of food and programs of opera. Temples in the countryside always included stages. The stages faced the statues of the gods in their great hall, who were the real audience, though villagers were also present. Both stage and great hall were in the temple compound, hence the title of the book. The operas were based on stories from Chinese history. Love stories, crime and punishment stories, and farces were not allowed. These ritual operas were called “Za Opera” in Shanxi and many other regions as well. Za Opera first appeared in capital and countryside in the eleventh century. As other operatic genres appeared in later times, Za Opera became strictly village opera. It was virtually ignored by educated town and city dwellers until recently. Hence it changed little and provides important information about the history of Chinese drama.
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Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G1557292019I3N00
Seller: Revaluation Books, Exeter, United Kingdom
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Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware. Seller Inventory # 9781557292018
Seller: Joseph Burridge Books, Dagenham, United Kingdom
Soft cover. Condition: New. Summary:"Operas were offerings to village gods performed on temple stages during annual festivals. They first appeared in the eleventh century and were still performed in Shanxi villages in the nineteenth century. This book discusses a number of old village scripts, reconstructs where and how village opera was performed, and considers the role of ritual opera in premodern rural Chinese culture."-- Provided by publisher. Seller Inventory # PGIEAS02