Finalist, 1995 National Book Award
This collection fills in a missing chapter in the history of American women’s poetry by bringing a significant voice back into print. Barbara Howes has perfected a personal style that had little to do with the fashionable currents of her time. Dana Gioia has said of her “[O]ne sees Howes very clearly as a woman writing in one of the oddest but most important traditions of American poetry. She stands with Marianne Moore, Elizabeth Bishop, and ultimately Emily Dickinson in a lineage of women writers passionately committed to the independence and singularity of the poetic imagination. Collected poems 1945-1990 contains the lifework of one of America’s irreplaceable poets.”
Forty years ago in The New Yorker Louise Bogan wrote: “Barbara Howes is the most accomplished women poet of the younger writing generation―one who has found her own voice, chosen her own material, and worked out her own form. Miss Howes is daring with language, but she is also accurate. Her originality stands in constant close reference to the material in hand, and although much of that material is fantastic or exotic, it is never so simply for its own sake.”
Drawing from seven previous books, this collection confirms and consolidates the reputation of Barbara Howes as a timeless poet whose fine voice and surprising insights will continue to delight all lovers of language.
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In addition to her poetry, Barbara Howes has written a collection of stories and has edited several prize-winning anthologies of short fiction. She has won a number of major poetry prizes and was twice a finalist for the National Book Award.
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Soft cover. Condition: Very Good. No Jacket. 1st Edition. Paperback. Condition: Very Good. Finalist, 1995 National Book Award This collection fills in a missing chapter in the history of American womens poetry by bringing a significant voice back into print. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. From the Poetry Foundation: Barbara Howes grew up in a suburb of Boston. Educated at Bennington College in Vermont, she moved to New York City after graduation. While submitting her poetry to magazines, Howes got a job editing Chimera: A Literary Magazine from 1944 to 1947. Although the job kept her from her own writing for several years, it would prove to be valuable, not only because it put her in contact with numerous other writers living in the city, but also because of the editorial skills Howes developed. These skills would be put to good use several years later when she edited several acclaimed short story anthologies: From the Green Antilles: Writings of the Caribbean (1966), The Eye of the Heart: Short Stories from Latin America (1973), and The Sea-Green Horse (1970) a young-adult short story anthology Howes compiled with her son, Gregory Jay Smith. Despite being nominated for the 1995 National Book Award for her The Collected Poems of Barbara Howes, 1945-1990, the work of poet Barbara Howes has received relatively little publicity; Robert Richman, writing in the New York Times, called Howes "as obscure a worthy poet as I can think of." Usually alternating her backdrop between the gentle climate of the West Indies and the harsher landscape of her native New England, Howes's verses paint a world of family, natural surroundings, and the wisdom inherent in natural inclinations. "I might say that my poems are about relationships," she wrote by way of explanation in an essay published in Contemporary Authors Autobiography Series (CAAS) "the relation of the poet's eye, mind, and heart to reality.". Seller Inventory # JG2412-07-BX-1-PO
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