Exhibition making requires great effort and resources. Are your exhibitions attracting audiences and drawing them back to your museum? The Dimensions of Curation Competing Values Exhibition Model uses three axes to help you to make sense of exhibitions your museum has curated and think intentionally about future curatorial decisions. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.
This book:
Introduces competing values and organizational models that address them.Explains the three axes comprising the model and the eight types of exhibitions that result from various combinations of positions on the axes.Looks in depth at case studies of the eight different exhibition types.Provides candid observations about changing curatorial practices.Offers tools to help museums implement the model.
Two sections of the book feature practice-based examples from museums in the US and internationally. The third section of the book concentrates on practical tools and considerations for the future of exhibition curation.
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Ann Rowson Love is Associate Professor and Director of the MA/PhD program Museum Education & Visitor-Centered Curation in the Department of Art Education at Florida State University. She has more than 30 years of experience as a museum educator, curator, administrator, and scholar in art museums. She presents and publishes widely on collaborative curation, art museum interpretation, visitor studies, and feminist systems thinking. Her co-edited books include Visitor-Centered Exhibitions and Edu-Curation in Art Museums and Systems Thinking in Museums: Theory and Practice. She serves as Vice-Chair of the Curators Committee (CurCom) Professional Network of the American Alliance of Museums.
Pat Villeneuve is Professor and Director of Arts Administration in the Florida State University Department of Art Education and a 2021 Fulbright scholar to Belgium. She has had lengthy careers in museums and academe and has published and presented extensively on art museum education, edu-curation, visitor-centered exhibitions, paradigmatic change, and the Dimensions of Curation model. Pat developed the graduate program (MA and Ph.D.) in edu-curation at Florida State University and published Visitor-Centered Exhibitions and Edu-Curation in Art Museums in 2017 with Ann Rowson Love. She keynoted the ICOM International Committee for Education and Cultural Action conference in Leuven, Belgium, in 2021.
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Paperback. Condition: New. Exhibition making requires great effort and resources. Are your exhibitions attracting audiences and drawing them back to your museum? The Dimensions of Curation Competing Values Exhibition Model uses three axes to help you to make sense of exhibitions your museum has curated and think intentionally about future curatorial decisions. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it. This book:Introduces competing values and organizational models that address them.Explains the three axes comprising the model and the eight types of exhibitions that result from various combinations of positions on the axes.Looks in depth at case studies of the eight different exhibition types.Provides candid observations about changing curatorial practices.Offers tools to help museums implement the model.Two sections of the book feature practice-based examples from museums in the US and internationally. The third section of the book concentrates on practical tools and considerations for the future of exhibition curation. Seller Inventory # LU-9781538167366
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Paperback. Condition: new. Paperback. Exhibition making requires great effort and resources. Are your exhibitions attracting audiences and drawing them back to your museum? The Dimensions of Curation Competing Values Exhibition Model uses three axes to help you to make sense of exhibitions your museum has curated and think intentionally about future curatorial decisions. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it. This book:Introduces competing values and organizational models that address them.Explains the three axes comprising the model and the eight types of exhibitions that result from various combinations of positions on the axes.Looks in depth at case studies of the eight different exhibition types.Provides candid observations about changing curatorial practices.Offers tools to help museums implement the model.Two sections of the book feature practice-based examples from museums in the US and internationally. The third section of the book concentrates on practical tools and considerations for the future of exhibition curation. This book present a model to help you to make sense of exhibitions your museum has curated. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781538167366
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