Synopsis
The first substantial monograph on Elsa Gramcko, an artist who redefined abstraction and assemblage
Postwar artist Elsa Gramcko (1925–94) never identified her practice with a formal artistic movement but freely explored geometric abstraction, Surrealism and Informalism through painting, assemblage, and sculpture. She is often associated with prominent Venezuelan women artists such as Gego (Gertrude Goldschmidt), Tecla Tofano and Mercedes Pardo, who also began to expand the limits of art in the 1960s.
The publication frames Gramcko’s contribution to global modernism outside the doctrinal limitations of the avant-garde, offering a comprehensive survey of her artistic practice from the mid-1950s through the mid-1970s―from her paintings of graphic, biomorphic shapes to her groundbreaking assemblages made of conglomerate techniques that morphed the use of found wooden boards and planks. It includes essays by Gabriela Rangel and art historian and writer Aruna D’Souza, which examine Gramcko’s critical approach to petro-modernity, along with with unpublished letters the artist wrote to Alejandro Otero in the early 1960s that defined her relationship to objecthood.
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Elsa Gramcko: The Invisible Plot of Things
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Sicardi/Ayers/Bacino/James Cohan, 2023
ISBN 10: 1532378858
ISBN 13: 9781532378850
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Elsa Gramcko: The Invisible Plot of Things
Published by
Sicardi/Ayers/Bacino/James Cohan, 2023
ISBN 10: 1532378858
ISBN 13: 9781532378850
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Elsa Gramcko: The Invisible Plot of Things
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ISBN 10: 1532378858
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Elsa Gramcko: The Invisible Plot of Things
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ISBN 10: 1532378858
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Hardback. Condition: New. The first substantial monograph on Elsa Gramcko, an artist who redefined abstraction and assemblagePostwar artist Elsa Gramcko (1925-94) never identified her practice with a formal artistic movement but freely explored geometric abstraction, Surrealism and Informalism through painting, assemblage, and sculpture. She is often associated with prominent Venezuelan women artists such as Gego (Gertrude Goldschmidt), Tecla Tofano and Mercedes Pardo, who also began to expand the limits of art in the 1960s.The publication frames Gramcko's contribution to global modernism outside the doctrinal limitations of the avant-garde, offering a comprehensive survey of her artistic practice from the mid-1950s through the mid-1970s-from her paintings of graphic, biomorphic shapes to her groundbreaking assemblages made of conglomerate techniques that morphed the use of found wooden boards and planks. It includes essays by Gabriela Rangel and art historian and writer Aruna D'Souza, which examine Gramcko's critical approach to petro-modernity, along with with unpublished letters the artist wrote to Alejandro Otero in the early 1960s that defined her relationship to objecthood. Seller Inventory # LU-9781532378850
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Elsa Gramcko: The Invisible Plot of Things
Published by
Sicardi/Ayers/Bacino/James Cohan, 2023
ISBN 10: 1532378858
ISBN 13: 9781532378850
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Hardcover. Condition: As New. No Jacket. 1st Edition. Houston and New York: Sicardi/Ayers/Bacino/James Cohan galleries, 2023. Hardcover artist monograph published on the occasion of a two-part exhibition of the artist's works. 159 pages, illustrated. Includes transcript of an interview with the artist. Not issued in dust jacket. Condition: As new. No marks or writing to book. Binding is square and tight. Seller Inventory # GRAM_110725
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Elsa Gramcko : The Invisible Plot of Things
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Elsa Gramcko: The Invisible Plot of Things
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ISBN 10: 1532378858
ISBN 13: 9781532378850
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Hardback. Condition: New. The first substantial monograph on Elsa Gramcko, an artist who redefined abstraction and assemblagePostwar artist Elsa Gramcko (1925-94) never identified her practice with a formal artistic movement but freely explored geometric abstraction, Surrealism and Informalism through painting, assemblage, and sculpture. She is often associated with prominent Venezuelan women artists such as Gego (Gertrude Goldschmidt), Tecla Tofano and Mercedes Pardo, who also began to expand the limits of art in the 1960s.The publication frames Gramcko's contribution to global modernism outside the doctrinal limitations of the avant-garde, offering a comprehensive survey of her artistic practice from the mid-1950s through the mid-1970s-from her paintings of graphic, biomorphic shapes to her groundbreaking assemblages made of conglomerate techniques that morphed the use of found wooden boards and planks. It includes essays by Gabriela Rangel and art historian and writer Aruna D'Souza, which examine Gramcko's critical approach to petro-modernity, along with with unpublished letters the artist wrote to Alejandro Otero in the early 1960s that defined her relationship to objecthood. Seller Inventory # LU-9781532378850
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