Sound Affects: A User’s Guide is a collection of sonically-charged concepts ranging from the vocal (whispers, sing, disembodied voice), to sounds at the threshold (knocking, thump, buzz), to sounds beyond the limits of audibility (tremors, distortion, sub-bass). Taking Yve-Alain Bois and Rosalind E. Krauss’s Formless: A User’s Guide (1997) as a model, Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.
Each of the essays develops a particular perspective on sound and affect through a close analysis of audio-visual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences, and its shifting intensities.
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Sharon Jane Mee is Adjunct Lecturer in Film Studies at the University of New South Wales, Australia. She has published on film and affect. Her recent book is The Pulse in Cinema: The Aesthetics of Horror (2020), and she has work slated for publication in the edited collection New Critical Approaches to the Giallo Film (eds Fernando Pagnoni and Matthew Edwards).
Luke Robinson is a PhD candidate and sessional lecturer at the School of the Arts & Media at the University of New South Wales, Australia. He is also the treasurer of the Sydney Screen Studies Network and a video artist working with Move in Pictures.
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Hardcover. Condition: new. Hardcover. Sound Affects: A Users Guide is a collection of sonically-charged concepts ranging from those felt, heard and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tin/ny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.Each of the entries develops a particular perspective on sound and affect through a close analysis of audiovisual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences and its shifting intensities. "A philosophical analysis of sonically charged concepts to map a theory of "sound affects.""-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781501388880
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Hardcover. Condition: new. Hardcover. Sound Affects: A Users Guide is a collection of sonically-charged concepts ranging from those felt, heard and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tin/ny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.Each of the entries develops a particular perspective on sound and affect through a close analysis of audiovisual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences and its shifting intensities. "A philosophical analysis of sonically charged concepts to map a theory of "sound affects.""-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781501388880
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