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Synopsis
Art and the Dynamics of Circulation, Suppression, and Censorship, which represents a significant contribution to the literature on art censorship, is varied in terms of subjects, authorial voices, and disciplinary methods. At issue are governmental restrictions and discursive effects, such as erasure and distortion resulting from institutional policies, interpretive methods, and canonical processes. Considerations range from death and violence to race, sexuality, disability, immigration, labor, and cultural destruction/re-construction. Geographic focus includes Africa, Argentina, China, Germany, Mexico, the Middle East, the United Kingdom, and the United States. The text models a shift in how censorship is discursively framed, as contributors consider shifting contexts, values, and constituent needs through which contested works of art move into and out of circulation and point to the complexities involved in assessing determinants and consequences.
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About the Author
Catha Paquette is Professor of Latin American art at California State University Long Beach, USA. She is the author of At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts (2017). Karen L. Kleinfelder is Professor of Art History and Director of the School of Art at California State University, Long Beach, USA. She is the author of The Artist, His Model, Her Image, His Gaze: Picasso's Pursuit of the Model (1993) and has been published in the anthologies Picasso (1995) and Picasso and the Mediterranean (1996). Christopher Miles is Professor of Art at California State University Long Beach, USA. His work has been shown at the Pacific Design Center, ACME gallery, Actual Size gallery, Mount St. Mary's College, and Pasadena Museum of California Art.
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Hardback. Condition: New. In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship. Seller Inventory # LU-9781501358715
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Hardcover. Condition: new. Hardcover. In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthologya thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practicesrepresents a timely and significant contribution to the literature on censorship. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781501358715