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Synopsis
The Multilingual Screen is the first edited volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the medium s history. Moving across a vast array of geographical, historical, and theoretical contexts from Japanese colonial filmmaking to the French New Wave to contemporary artists moving image the essays collected here address the aesthetic, political, and industrial significance of multilingualism in film production and reception. In grouping these works together, The Multilingual Screen discerns and emphasizes the areas of study most crucial to forging a renewed understanding of the relationship between cinema and language diversity. In particular, it reassesses the methodologies and frameworks that have influenced the study of filmic multilingualism to propose that its force is also, and perhaps counterintuitively, a silent one. While most studies of the subject have explored linguistic difference as a largely audible phenomenon manifested through polyglot dialogues, or through the translation of monolingual dialogues for international audiences The Multilingual Screen traces some of its unheard histories, contributing to a new field of inquiry based on an attentiveness to multilingualism s work beyond the soundtrack.
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About the Author
Tijana Mamula teaches film studies at John Cabot University in Rome, Italy. She is the author of Cinema and Language Loss: Displacement, Visuality and the Filmic Image (2013). Lisa Patti is an Assistant Professor in the Media and Society Program at Hobart and William Smith Colleges, USA. She is the co-author of Film Studies: A Global Introduction (2015).
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Paperback. Condition: new. Paperback. The Multilingual Screen is the first edited volume to offer a wide-ranging exploration of the place of multilingualism in cinema, investigating the ways in which linguistic difference and exchange have shaped, and continue to shape, the mediums history. Moving across a vast array of geographical, historical, and theoretical contextsfrom Japanese colonial filmmaking to the French New Wave to contemporary artists moving imagethe essays collected here address the aesthetic, political, and industrial significance of multilingualism in film production and reception. In grouping these works together, The Multilingual Screen discerns and emphasizes the areas of study most crucial to forging a renewed understanding of the relationship between cinema and language diversity. In particular, it reassesses the methodologies and frameworks that have influenced the study of filmic multilingualism to propose that its force is also, and perhaps counterintuitively, a silent one. While most studies of the subject have explored linguistic difference as a largely audible phenomenonmanifested through polyglot dialogues, or through the translation of monolingual dialogues for international audiencesThe Multilingual Screen traces some of its unheard histories, contributing to a new field of inquiry based on an attentiveness to multilingualisms work beyond the soundtrack. A wide-ranging investigation of the ways that multilingualism has shaped film history, aesthetics, and politics. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781501302879
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