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Synopsis
This book critically examines the music and politics that emerged from the Civil Rights Movement as incredibly important sites and sources of spiritual rejuvenation, social organization, political education, and cultural transformation. The book is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge.
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About the Author
Reiland Rabakais professor of African, African American, and Caribbean studies in the Department of Ethnic Studies at the University of Colorado at Boulder and the author of The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation and Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement.
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Civil Rights Music: The Soundtracks of the Civil Rights Movement
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Civil Rights Music: The Soundtracks of the Civil Rights Movement
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Civil Rights Music: The Soundtracks of the Civil Rights Movement
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Bloomsbury Publishing Plc, 2016
ISBN 10: 1498531806
ISBN 13: 9781498531801
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Seller: World of Books Inc, Montgomery, IL, U.S.A.
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Paperback. Condition: Good. While there have been a number of studies that have explored African American ?movement culture? and African American ?movement politics,? rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American ?movement music,? and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. ?Movement music? experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages?some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well. Seller Inventory # CIN1498531806G
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Civil Rights Music
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Civil Rights Music : The Soundtracks of the Civil Rights Movement
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Civil Rights Music (Paperback)
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ISBN 10: 1498531806
ISBN 13: 9781498531801
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Paperback. Condition: new. Paperback. While there have been a number of studies that have explored African American movement culture and African American movement politics, rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American movement music, and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. Movement music experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messagessome social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well. This book critically examines the music and politics that emerged from the Civil Rights Movement as incredibly important sites and sources of spiritual rejuvenation, social organization, political education, and cultural transformation. The book is primarily preoccupied with t. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781498531801
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Civil Rights Music
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Civil Rights Music
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Bloomsbury Publishing Plc, US, 2016
ISBN 10: 1498531806
ISBN 13: 9781498531801
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
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Paperback. Condition: New. While there have been a number of studies that have explored African American "movement culture" and African American "movement politics," rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American "movement music," and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm and blues, and rock and roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. "Movement music" experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages-some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well. Seller Inventory # LU-9781498531801
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Civil Rights Music: The Soundtracks of the Civil Rights Movement
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