Thousands of music apps designed to assist you with every aspect of your life as a musician, hobbyist, student, or educator are available for the iPad. This book guides you step by step through the most popular and productive apps for the iPad 2, iPad (3rd or 4th generation), or iPad mini running iOS 6. This book provides guidance for using the best iPad music apps and demonstrates how to apply them in your musical life. The authors, experienced in the creation of music technology textbooks, training, and courses, maintain a companion website that includes useful video tutorials and updates. <br><br>With <em> The Musical iPad: Performing, Creating, and Learning Music on Your iPad</em> you'll learn how to: <br><br>* Use musicianship apps to help you stay in tune and keep your voice or instrument in shape <br>* Use cloud storage to share music and data files with other devices <br>* Turn the iPad into a tuner, metronome, and practice aid <br>* Emulate a host of acoustic and electronic instruments <br>* Use your iPad as a virtual sheet music resource for all your performance and practice needs <br>* Learn to play an instrument with your iPad <br>* Compose and share music on your iPad and much, much more!
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<strong>Tom E. Rudolph</strong>, Ed. D. (Philadelphia, PA) is an educator, author, performer, and composer. He authors and teaches courses for the Berklee College of Music online school, Central Connecticut State University, and Villanova University. Dr. Rudolph is cofounder of TI:ME (Technology in Music Education). His books include <em>Finale: An Easy Guide to Music Notation, Sibelius: A Comprehensive Guide, Recording in the Digital World, Teaching Music with Technology, The Alfred Music Tech Series, Finding Funds for Music Technology</em>, and <em>YouTube in Music Education</em>. His articles have appeared in the<em> Music Educators Journal</em>, the <em>Instrumentalist</em>, and <em>Downbeat Magazine</em>. As a composer/arranger he has works published by Neil A. Kjos and Northeastern Music Publications. <br><br><strong>Vincent Leonard</strong> (Philadelphia, PA) has had works as a producer and composer premiered nationally and internationally. He is published by Arrangers Publishing Company and National Music Works and is coauthor of <em>Recording in the Digital World, Finale: An Easy Guide to Music Notation</em>, and <em>Sibelius: A Comprehensive Guide to Music Notation</em>. In 1996, he and fellow producer-engineer Jack Klotz Jr. formed Invinceable Entertainment, and have released two CDs, <em>Magic Up Our Sleeve</em> and <em>On the Brink of Tomorrow</em>. Compositional credits include the feature film <em>Running On Empty Dreams</em>, theme and episode music for the <em>Captain Courteous</em> radio series, numerous theatre pieces, and industrials. Leonard has provided orchestrations for world premier productions of <em>Redwall</em> for Opera Delaware, <em>Elliot and the Magic Bed, Isabelle and the Pretty Ugly Spell</em>, and <em>The Little Princess</em> for Upper Darby Summer Stage. Also widely known as a copyist and arranger, he has worked with Peter Nero, the Philly Pops Orchestra, Doc Severinsen, the London Symphony Orchestra, Chuck Mangione, and Leslie Burrs, and in musicals by Duke Ellington, Alan Menken, Kurt Weill, and Mitch Leigh.
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