In The Archive and the Aural City, Alejandro L. Madrid examines the possibilities for retrieving sounds from the archive that were not meant to be heard. Drawing on Ángel Rama’s notion of the Lettered City, Madrid proposes a notion of the Aural City - a Latin American urban intellectual elite for whom sound and listening are central to the creation, recreation, and circulation of new types of knowledge. While many of these elites carry forward a nationalistic agenda, Madrid contends that the Aural City’s archives and the ways they are listened to and conceived through sound and music can also help dismantle dominant frameworks of national or colonial culture and build more inclusive spaces for intellectual exchange and political mobilization. From national archives in Latin America and colonial institutions abroad to sound exhibits, instruments, and internet-based archival projects, Madrid demonstrates how the development of urban spaces are understood through sound. In this way, he expands understandings of the archive’s social and sonic power.
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Alejandro L. Madrid is Walter W. Naumburg Professor of Music at Harvard University and the author of several books, including Tania LeÓn’s Stride: A Polyrhythmic Life and In Search of JuliÁn Carrillo and Sonido 13.
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Paperback. Condition: New. In The Archive and the Aural City, Alejandro L. Madrid examines the possibilities for retrieving sounds from the archive that were not meant to be heard. Drawing on Ángel Rama's notion of the Lettered City, Madrid proposes a notion of the Aural City - a Latin American urban intellectual elite for whom sound and listening are central to the creation, recreation, and circulation of new types of knowledge. While many of these elites carry forward a nationalistic agenda, Madrid contends that the Aural City's archives and the ways they are listened to and conceived through sound and music can also help dismantle dominant frameworks of national or colonial culture and build more inclusive spaces for intellectual exchange and political mobilization. From national archives in Latin America and colonial institutions abroad to sound exhibits, instruments, and internet-based archival projects, Madrid demonstrates how the development of urban spaces are understood through sound. In this way, he expands understandings of the archive's social and sonic power. Seller Inventory # LU-9781478032113
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Paperback. Condition: new. Paperback. In The Archive and the Aural City, Alejandro L. Madrid examines the possibilities for retrieving sounds from the archive that were not meant to be heard. Drawing on Angel Ramas notion of the Lettered City, Madrid proposes a notion of the Aural City - a Latin American urban intellectual elite for whom sound and listening are central to the creation, recreation, and circulation of new types of knowledge. While many of these elites carry forward a nationalistic agenda, Madrid contends that the Aural Citys archives and the ways they are listened to and conceived through sound and music can also help dismantle dominant frameworks of national or colonial culture and build more inclusive spaces for intellectual exchange and political mobilization. From national archives in Latin America and colonial institutions abroad to sound exhibits, instruments, and internet-based archival projects, Madrid demonstrates how the development of urban spaces are understood through sound. In this way, he expands understandings of the archives social and sonic power. Drawing on various archives in Latin America, Alejandro L. Madrid examines how listening for sound in the archive can provide opportunities to build more inclusive spaces for intellectual exchange and political mobilization. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781478032113
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Paperback. Condition: New. In The Archive and the Aural City, Alejandro L. Madrid examines the possibilities for retrieving sounds from the archive that were not meant to be heard. Drawing on Ángel Rama's notion of the Lettered City, Madrid proposes a notion of the Aural City - a Latin American urban intellectual elite for whom sound and listening are central to the creation, recreation, and circulation of new types of knowledge. While many of these elites carry forward a nationalistic agenda, Madrid contends that the Aural City's archives and the ways they are listened to and conceived through sound and music can also help dismantle dominant frameworks of national or colonial culture and build more inclusive spaces for intellectual exchange and political mobilization. From national archives in Latin America and colonial institutions abroad to sound exhibits, instruments, and internet-based archival projects, Madrid demonstrates how the development of urban spaces are understood through sound. In this way, he expands understandings of the archive's social and sonic power. Seller Inventory # LU-9781478032113
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